Canada's History, vol. 97, no. 1, February/March 2017, p. 8
Description
Editor's introductory article to issue comments on the exploitation of Indigenous peoples in the late 1800s by photographers looking to capture, "cowboys and Indians".
Curator of the exhibition entitled Americans at the National Museum of the American Indian discusses the exhibition about the pervasiveness of the image of the American Indian in popular culture and the controversy surrounding the validity of artist Jimmy Durham's Cherokee identity.
Duration: 58:51.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 79-110
Description
The authors explore the ways that the design of two different Indigenous video games compels players to enact survivance, and how that experience of survivance creates a space for teaching and learning about culture and for decolonizing perspectives.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 30-52
Description
Author discusses the work of two Indigenous pop-artists and how they appropriate iconic mainstream imagery in order to subvert popular narratives and stereotypes in the Star Wars franchise and in the wider film industry.
Music History and Literature Thesis (M.A.)--Marshall University, 2017
Refers to James Fenimore Cooper's The Last of the Mohicans, Henry Russell's "The Indian Hunter", and Henry Woodsworth Longfellow's The Song of Hiawatha .
Canadian Journal of Native Studies, vol. 37, no. 2, 2017, pp. 61-86
Description
Authors examines the (neo)colonial narratives present the English print media coverage of the Glenbow Museum’s 1988 exhibit The Spirit Sings. The exhibit, a headliner of the 1988 Winter Olympic Arts Festival in Calgary, is often considered to be the “catalyst for Canada's Task Force on Museums and First Peoples (1992).”