The Artist Knows Best: The De-Professionalism of a Profession
At the Center of the Controversy: Confronting Ethnic Fraud in the Arts
Being Métis in Canada: An Unsettled Identity
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
A Chapter Closed?
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
The Concept of Duality in Culture and Myths of Lakota Indians
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Culture, Race and Identity: Australian Aboriginal Writing
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Decentering Durham
Decolonization through Collaborative Filmmaking: Sharing Stories from the Heart
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
Fashioning Decolonization: Telling Stories Of Canadian Indigenous Women Through Fashion Hacking
Gambling on Authenticity: Gaming, the Noble Savage, and the Not-So-New Indian
Gerald Vizenor's Transnational Aesthetics in Blue Ravens
Glimpsing Our Past: An Archival Photo Project
The Historic Sites and Monuments Board of Canada's Representation of Indigenous History from 1945 to 1982
How Native American Rappers Communicate and Create a Modern Identity
Hustling and Hoaxing: Institutions, Modern Styles, and Yeffe Kimball’s “Native” Art
Identity in Cultural Appropriation: Native American Representations in Euro-American Art
Indians Everywhere: Paul Chaat Smith on "Americans"
Indigenous History: A Bibliography
Indigenous New Media Arts: Narrative Threads and Future Imaginaries
Inside Out: An Indigenous Community Radio Response to Incarceration in Western Australia
Living in a (Schrödinger’s) Box: Jimmie Durham’s Strategic Use of Ambiguity
Native American Fashion: Inspiration, Appropriation, and Cultural Identity
Not Jimmie Durham's Cherokee
Notes on Becoming a Comrade: Indigenous Women, Leadership, and Movement(s) for Decolonization
Author uses her own experiences as non-Indigenous woman of color to explore the challenges in becoming an ally with Indigenous communities fight in their fight for decolonization.
The Omaha Dance in Oglala and Sicangu Sioux History, 1883-1923
Playing Indian, between Idealization and Vilification: Seems You Have to Play Indian to be Indian
“Poetry [Film] = Anger × Imagination”: Intermediality, the Synthesis of Poetry and Film, and Cross- Cultural Belonging in Sherman Alexie’s The Business of Fancydancing
The Powwow Dance and My Dance with Powwows
Presentation of Self, Culture, and Other in Public Podium Talk: Constructing Indigenous/non-Indigenous Relations in Grassroots Popular Education
Pueblo Pottery and the Politics of Regional Identity
(Re)Inscription: Reclaiming O'odham Identities through Tattoos
Reclaiming Territories through Indigenous Performance
Regional Diversity in Contemporary Inuit Sculpture
Reviews
Reviews
Rumble: The Indians Who Rocked the World
Documentary looks at the little-known story of Indigenous influences on and contributions to the evolution of contemporary rock and blues music. Artists profiled include Charley Patton, Mildred Bailey, Link Wray, Jesse Ed Davis, Stevie Salas, Buffy Sainte-Marie, Robbie Robertson, Randy Castillo, Jimi Hendrix, and Taboo.
Shaping Indigenous Identity: The Power of Music
Indigenous Studies Thesis (MPhil) -- UiT Arctic University of Norway, 2017.