Article reports on a Koorie art club that eventually evolved into an art class; discusses elements and approaches implemented that allowed the class to become a site of exploration and self-discovery for the youth that participated.
Originally published as the Forty-Sixth Annual Report of the Bureau of American Ethnology. This edition published with a new introduction by David Reed Miller.
Canadian Journal of Native Studies, vol. 5, no. 2, 1985, pp. 277-282
Description
Book reviews of 4 books:
Treaties on Trial by Fay G. Cohen.
The Canadian Prairies: A History by Gerald Friesen.
New Native American Drama: Three Plays by Hanay Geiogamah. The three plays are entitled Foghorn, 49, and Body Indian.A Homeland for the Cree by Richard F. Salisbury.
Journal of Indigenous Social Development, vol. 6, no. 2, 2017, pp. [23]-49
Description
Explores collective documentary filmmaking as an instrument of decolonizing storytelling, describes the consensus-based work of a diverse group including both Indigenous and settler artists involved in the Stories of Decolonization project's first short film Stories of Decolonization: Land Dispossession and Settlement.
Canadian Journal of Native Studies, vol. 38, no. 1, 2018, pp. 183-207
Description
This project examines a collection of digital stories created by urban Indigenous youth, parents and educators; using theories of self-determination, sovereignty and survivance article argues that urban living can contribute to the strength and endurance of Indigenous identities and ways of being.
Transmotion, vol. 5, no. 1, Native American Narratives in a Global Context, July 11, 2019, pp. 33-55
Description
Literary criticism article in which the author explores Vizenor’s use of trickster tropes and transnational narrative to explore different expressions of Indigenous identity and how it adapts to and is affected by sites solidarity and sovereignty.
American Indian Quarterly, vol. 22, no. 3, Summer, 1998, pp. 259-279
Description
Literary criticism article in which the author examines the ways that Hopkins uses liminality and liminal identity as a means of social critique and of subversion, as well as an intersection of creativity.
Northern Review, no. 48, October 18, 2018, pp. 3-32
Description
Defines a city’s “primacy” as having three factors: a large population in comparison to other cities in the country, economic preeminence, and symbolic of a national cultural identity and assesses how well Nuuk fulfills those criteria.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn 1992, pp. 59-65
Description
Surveys works of contemporary artists including: Gerald McMaster, Lawrence Paul, Shelley Niro, Bill Powless, Jane Ash Poitras, and Joanne Cardinal-Schubert.
Studies in American Indian Literatures, vol. 30, no. 3-4, Fall-Winter, 2018, pp. 151-178
Description
Examines themes of testimony, trauma, storytelling, and witnessing in Maracle’s novel; discusses the role that narrating and observing can play as a means of collaborating in the decolonization of settler systems and violence.
Investigates traditional Zulu attire, whether it confers status, differentiates between clans, and serves particular purposes. Paper presented at the Indigenous Knowledge Conference 2001 held at the University of Saskatchewan.