Border Crossings, vol. 23, no. 1, February 2004, pp. 86-89
Description
Review of the exhibition curated by Marie Bouchard, which celebrated the reconstruction of a bridge in St. Boniface, Manitoba, event included performance of Collette Jacques of northern Ontario.
Canadian Art, vol. 21, no. 4, Winter, 2004, pp. 48-53
Description
Discussion on Lori Blondeau’s work, which explores the influence of popular media and culture (contemporary and historical) on Aboriginal self-identity, self-image, and self-definition.
Discusses the performances/installations Artifact Piece, Renewal Ceremony and Chapel for Pablo Tac which challenge mainstream society's stereotype of an "authentic" Indian frozen in the past.
Excerpt from thesis.
Journal of Canadian Studies, vol. 52, no. 1, Winter, 2018, pp. 306-341
Description
Article examines the work of contemporary artists Leah Decter, Jacqueline Hoàng Nguyễn, and Caroline Monnet. Discusses the artists’ engagement with current discourse surrounding settler colonialism and their use of the arts to disrupt conceptualization of the Canadian state as inclusive and benevolent.
Museum Anthropology, vol. 16, no. 1, February 1992, pp. 29-43
Description
Assesses two major museum exhibits as individual projects and as illustrations of broader issues concerning the representation of Native Americans: Objects of Myth and Memory: American Indian Art at the Brooklyn Museum and Chiefly Feast: The Enduring Kwakiutl Potlatch at the American Museum of Natural History.0892-8339
Canadian Art, vol. 22, no. 2, Summer, 2005, pp. 48-53
Description
Discussion of the debut performance-based video installation Fountain at Venice Biennale. Belmore was the first Aboriginal woman to represent Canada at this event.