Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 43-45
Description
Curatorial notes for an exhibition of the same name mounted at the Head Museum of Native Culture and Art, Arizona, 2000.
Entire issue on one pdf. To access article, scroll to page 43.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 32-36
Description
Curatorial notes from exhibition of the same name mounted at the National Gallery, Ontario, 2000.
Entire issue on one pdf. To access article, scroll to page 32.
Anglican Journal, vol. 126, no. 2, February 2000, p. 1
Description
Canadian Museum of Civilization exhibition includes work by Tsimshian artist Roy Henry Vickers of British Columbia and Inuit printmaker Pudlo Pudlat of Cape Dorset.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 46-47
Description
Curatorial notes for exhibition of the same name mounted at the Carleton University Art Gallery, Ottawa, 2000.
Entire issue on one pdf. To access article, scroll to page 46.
Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 18-26
Description
Looks at the strategies of two curators involved in planning the First Peoples Hall at the Canadian Museum of Civilization.
Entire issue on one pdf. To access article, scroll to page 18.
Inuit Art Quarterly, vol. 15, no. 1, Spring, 2000, pp. 16-29
Description
Looks at a curator and a gallery owner sharing their experience on the Inuit component of Threads of the Land; Clothing Traditions from Three Indigenous Cultures.
Entire article located on one pdf. To access article, scroll to page 16.
Website developed as part of the exhibition of works by the Coast Salish artist. Contains links to images with brief descriptions, short biography, and resources for further information.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 30-37
Description
Looks at research and collaboration between author and curator for an exhibition involving a stay in Cape Dorset working with the featured women artists.
Entire issue on one pdf. To access article, scroll to page 30.
Inuit Art Quarterly, vol. 15, no. 1, 2000, pp. 40-45
Description
Curatorial notes for exhibition of the same name mounted at the University of Alaska Museum, Fairbanks, 1999.
Entire issue on one pdf. To access issue, scroll to page 42.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 38-40
Description
Curatorial notes for exhibition of the same name mounted at the Museum of Anthropology, British Columbia, 1999.
Entire issue on one pdf. To access article, scroll to page 38.
Features two cultures, the Inuit and the Haida, and their history, language, community life, self-government, and their relationship with the land, hunting and the sea.
"This paper surveys the reasons why attempts to utilize genetic science in repatriation should be abandoned, and more intensive efforts to use spatial information should be implemented instead."
Drama Review / T D R: The Journal of Performance Studies, vol. 44, no. 3, Fall, 2000, pp. 11-36
Description
Discusses the decolonization process, which the author states is accomplished by, "moving the center", in this case, from Europe to their own centers. The writer concludes that "underneath the new globalized skin" is the same Euro-defined ethnicity, carrying the same biases that are written into scripts.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 30-31
Description
Curatorial notes from exhibition of the same name mounted at the Peabody Museum of Archaeology and Ethnology/Tozzer Library, Massachusetts, 2001.
Entire issue on one pdf. To access article, scroll to page 30.
Exhibit held at the National Museum of the American Indian. Curated by Gerald McMaster and co-curated by Arthur Renwick. Features works by: Marianne Nicolson, Shelley Niro, Mateo Romero, Nora Naranjo-Morse, C. Maxx Stevens, Jolene Rickard and Mary Longman.
Rebuttal to Hoover's critique of the article written by Gloria Frank regarding the permanent First Peoples Exhibit
at the Royal British Columbia Museum.
Response to an article which critiques the permanent First Peoples Exhibit at the Royal British Columbia Museum from a Aboriginal perspective; contends that while a personal viewpoint is legitimate, article does not have the research and knowledge to support some of criticisms.
American Indian Culture and Research Journal, vol. 24, no. 4, 2000, pp. 177-223
Description
Book reviews of:
An Account of the Antiquities of the Indians by Fray Ramon Pané, José Juan Arrom et al.
American Indians in the Marketplace: Persistence and Innovation among the Menominees and Metlakatlans, 1870-1920 by Brian C.
Beginning 400 years ago as a French Catholic mission along Georgian Bay, this historic landmark reflects that culture and time. Website includes tourist information and educational programs.
BC Studies, no. 125/126, Ethnographic Eyes, Spring/Summer, 2000, pp. 163-178
Description
Explores First Nations person's response to the permanent First Peoples exhibit at the Royal British Columbia Museum, in Victoria, B.C. and museum depictions of Aboriginal cultures in general.
Wicazo Sa Review, vol. 15, no. 1, Spring, 2000, pp. 71-89
Description
Discusses how and why museums have focused on Indigenous collections and displays which assign certain stereotypes and misrepresentations of Native American people.