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[Agokwe]
Almighty Voice and His Wife: Education Guide
American Indian Dramaturgy: Situating Native Presence on the American Stage
Art and Reconciliation
The Baby Blues
The Bingocentric Worlds of Michel Tremblay and Tomson Highway: Les Belles-Soeurs vs. The Rez Sisters
Looks at the parallels between two plays in terms of the subject matter and the dramatic techniques used. For example, bingo, is used as a symbol and illustration of women's consumerism and of the spiritual emptiness in their lives.
The Bloodhut: Echoes of Native American Storytelling in a Contemporary Women's Performance Group
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Discusses a play, The Book of Jessica, that illustrates the struggle women have in understanding what being "a woman" means, including across the barriers of race, culture, privilege and age.
Book Reviews
Broadway (Un)Bound: Lynn Rigg's The Cherokee Night
Captive in Not So Well Upholstered Hells: Jean-Paul Sartre’s No Exit and Sterlin Harjo’s Goodnight Irene
Chief Shaking Spear Rides Again, or The Taming of the Sioux (1975)
[Christopher Morris]
Circling the Question of Nationalism in Native Canadian Literature and its Study
Cole and Johnson's The Red Moon, 1908-1910: Reimaging African American and Native American Female Education at Hampton
Cultural Awareness Through the Arts: The Success of an Aboriginal Antibias Program for Intermediate Students
Cultural Collision and Magical Transformation: The Plays of Tomson Highway
Cultural Transmutations
Culture, Race and Identity: Australian Aboriginal Writing
The Death of a Chief: Watching for Adaptation ; or, How I Learned to Stop Worrying and Love the Bard
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
The Ecstasy of Rita Joe
The Ecstasy of Rita Joe by George Ryga: Study Guide
Plot of novel involves a young Shuswap woman who leaves her reserve for the city and is ultimately raped and murdered. Includes overview of play, biography of playwright and director, and focus questions.
Examining a Community-Based Theatre Program as a Source of Resilience and Well-being among Indigenous Youth in Saskatoon: Final Report
Expanding Interpretations of Native American Women's History
Fear and Temptation: The Image of the Indigene in Canadian, Australian and New Zealand Literatures
Gerald Vizenor: Compassionate Trickster
Girl Who Loved Her Horses: A One-Act Play for Young Audiences
The Hours That Remain by Keith Barker: Study Guide
In a World Created by a Drunken God
The Indian Passion Play: Contesting the Real Indian in Song of Hiawatha Pageants, 1901-1965
Indian Record (Vol. XXIII, No. 4, April 1960)
“The Indian Who Bombed Berlin”: German Encounters in Ralph Salisbury’s Work – Modulating Modern Precariousness
Indigenous Women and Feminism: Politics, Activism, Culture
Interculturalism Light: The Irony of Blues in The Berlin Blues
Interview with Alanis King
Interview with Marie Clements
Lines and Circles: The "Rez" Plays of Tomson Highway
Discussion of two plays, The Rez Sisters and Dry Lips Oughta Move to Kapuskasing, which expose the problems, challenges and injustices that Aboriginal people face.
Lost in Conflation: Visual Culture and Constructions of the Category of Religion
Murdered and Missing Women: Performing Indigenous Cultural Memory in British Columbia and Beyond
Native American Women Playwrights Archive
NAWPA [Native American Women Playwrights Archive] Authors' Roundtable
Night: A Collective Creation by Human Cargo, Written and Directed by Christopher Morris: Study Guide
Only Drunks and Children Tell the Truth
Paul Simon Money
Performing Memory, Transforming Time: History and Indigenous North American Drama
[Performing Worlds into Being: Native American Women's Theater]
Performing Worlds into Being: Native American Women's Theater edited by Ann Elizabeth Armstrong, Kelli Lyon Johnson, and William A. Wortman.
Native American Drama: A Critical Perspective by Christy Stanlake.
The Politics of Representation: Some Native Canadian Women Writers
Discussion on reviving traditional storytelling techniques, in new forms, and challenging the Canadian literary tradition.