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Aboriginal Art and Public Galleries: Towards an Integrative Structure
Aboriginal Arts in Canada: Points for Discussion
Aboriginal Interventions Into the Photographic Archives: A Dialog Between Carol Payne and Jeffrey Thomas
Afterword: Antiracist Activism in the Arts Community
Ancestors: The Deane-Freeman Collections from the Bloods
Application of Darwinian Evolutionary Theory into the Exhibit Paradigm: Implementing a Materialist Perspective in Museum Exhibits about Native Americans
Asingit: Inuit Art from the Macdonald Stewart Centre
Assimilation and Difference: Two Recent Exhibitions of Archival Photographs
Augusta
Bell's Theorem: Aboriginal Art - It's a White Thing?
Bridging the Gaps Within and Beyond: The Cultural Artistic Exchange and its Benefits
Campfire Stories with George Catlin: an Encounter of Two Cultures
Clothes That are Not Worn (except...): The Politics of the Clothing Collection at the Museum of Anthropology
A Companion to American Indian History
Contemporary Aboriginal Art, 1948-2000: Constructing the Canon
Cultural Awareness Through the Arts: The Success of an Aboriginal Antibias Program for Intermediate Students
Elder's Perspective: Mariano Aupliaarjuk
Evelyn Victoria Windsor Interview #4
Exploring 'Aboriginal' Sites in Sydney: A Shifting Politics of Place?
First Nations Alcohol Rehabilitation Centre
`Hostiles': The Lakota Ghost Dance and the 1891-92
Tour of Britain by Buffalo Bill's Wild West [Two volumes]
The Indian Role in the 1876 Centennial Celebration
Discusses the Indian exhibition held in during the exposition in Philadelphia and how, despite attempts to have actual members of cultural groups participate, organizers were left with static displays from ethnographic collections which failed to engage the public or increase understanding of Native Americans.
The Inmates Are Running the Asylum [Professor Stymied by Students' Refusal to Audition for a Production of the Rez Sisters]
Examines the reasons why a western Canadian Fine Arts university professor was unable to convince members of his class to audition or act in a First Nations play.
Entire issue on one pdf. To access article scroll to p.3.
Introduction: "Race" Into the Twenty-First Century
The Mainstreaming of Dissent: Women Artists of Colour and Canadian Arts Institutions
Manufacturing Assimilation: Photographs of Indian Schools in Arizona
Modern Uses of American Indian Art
New Media Cultures: Protocols for Producing Indigenous Australian New Media
An Overview of Case Studies of Contemporary Native American Music in Canada, the United States of America and on the Web
A Passionate Paper
Pelagia Patchnose Rides Again (or do You Have a Reservation?)
Performing Cultures: Protocols for Producing Indigenous Australian Performing Arts
Performing Musqueam Culture and History at British Columbia's 1966 Centennial Celebrations
Picturing "Civilization": Missionary Narratives and the Margins of Mimicry
Reading the Autoethnographic Perspectives of Indians "Shooting Indians"
"Real" Indian Songs: the Society of American Indians and the Use of Native American Culture as a Means of Reform
Reconciliation, Trauma and the Native Born
The Roots of Cree Drama
Saskatchewan Indian Religious Beliefs - Alice B. Kehoe. - Booklet. - January 1976.
Scenes from the Colonial Catwalk: Cultural Appropriation, Intellectual Property Rights, and Fashion
Sisters Work to Put Native in Graduations
Brief profile of Muskawa Designs, a Saskatoon based business that designs graduation gowns and endeavors to incorporate Native flair in its creations.
Entire issue on one pdf. To access article scroll to p.27.
Song Cultures: Protocols for Producing Indigenous Australian Music
Staging Captivity: Metamora and American Identity
Staraboriginality
Teacher's Guide: From Time Immemorial: The First Peoples of the Pacific Northwest
"Now contains an expanded unit on treaty making and self government in British Columbia".
Social Studies Grades 4-8.