Book review of: Canadian Aboriginal Art and Spirituality by John W. Friesen, Virginia Lyons Friesen. Artwork by David J. Friesen.
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Studies in American Indian Literatures, vol. 29, no. 4, Winter, 2017, pp. 1-28
Description
Examines Calder’s stop-frame animated feature film in the context of animation, ecocinema, and Indigenous studies; focuses on theme of hybridity and métissage.
Looks at the conflict regarding the monument of Crazy Horse. The Indian organization Defenders of the Black Hills argue the monument is an environmental and spiritual violation.
Paper presented to the Annual conference of the Florida Communication Association on specific theories of art, including: ideographic art, which emphasizing cultural beliefs and values, and pictographic art, which tells a tale or relates an episode of history.
Theatre Research in Canada, vol. 27, no. 2, 2006, pp. 245-259
Description
Looks at two different theological paradigms, one that portrays the tragedy of the Aboriginal peoples; the other that offers a more accurate representations of the plight of Native peoples and celebrates a vibrant Native spirituality.
A Discussion on the visual style, cultural infusion and impact of the 2014 video game Never Alone. The game is based off the Iñupiat legend of Kanuk Sayuka and was created in cooperation with elders, storytellers, and artists from the Cook Inlet Tribal Council.
Duration: 50:01.
Art History Thesis (M.A.)--Oklahoma State University, 2017
Refers to the works of Horace Poolaw, Dallin Maybee, Arthur Amiotte, Jay Polite Labor, and Wendy Red Star
Interdisciplinary Studies Thesis (M.A.)--University of British Columbia, 2017Focusess on experiences of Madelaine McCallum, Mike Dengeli, Mique'l Dangeli, Leela Gilday, and Ronnie Dean Harris.