Transmotion, vol. 3, no. 2, December 6, 2017, pp. 79-110
Description
The authors explore the ways that the design of two different Indigenous video games compels players to enact survivance, and how that experience of survivance creates a space for teaching and learning about culture and for decolonizing perspectives.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 30-52
Description
Author discusses the work of two Indigenous pop-artists and how they appropriate iconic mainstream imagery in order to subvert popular narratives and stereotypes in the Star Wars franchise and in the wider film industry.
Canadian Journal of Native Studies, vol. 37, no. 2, 2017, pp. 61-86
Description
Authors examines the (neo)colonial narratives present the English print media coverage of the Glenbow Museum’s 1988 exhibit The Spirit Sings. The exhibit, a headliner of the 1988 Winter Olympic Arts Festival in Calgary, is often considered to be the “catalyst for Canada's Task Force on Museums and First Peoples (1992).”