American Indian Quarterly, vol. 22, no. 3, Summer, 1998, pp. 259-279
Description
Literary criticism article in which the author examines the ways that Hopkins uses liminality and liminal identity as a means of social critique and of subversion, as well as an intersection of creativity.
This documentary reflects on Kainai (Blood tribe) history, governance, survival, and living culture as it explores the repatriation of artifacts from Europeans.
Duration: 1:9:39.