Decolonization, vol. 3, no. 1, Indigenous Art, Aesthetics and Decolonial Struggle, 2014, pp. 225-231
Description
Mixed media artist Tom GreyEyes talks about his art being political messages coming from the Indigenous perspective on colonialism, decolonization and protest.
American Indian Culture and Research Journal, vol. 12, no. 3, 1988, pp. 85-143
Description
Book reviews of:
The Trickster of Liberty: Tribal Heirs to a Wild Baronage by Gerald Vizenor.
Nairne's Muskhogean Journals: The 1708 Expedition to the Mississippi River edited by Alexander Moore.
The Adventures and Sufferings of John R. Jewitt, Captive of Maquinna annotated and illustrated by Hilary Stewart.
A Creek Warrior for the Confederacy: The Autobiography of Chief G. W. Grayson edited by W. David Baird.
Native American Baskertry: An Annotated Bibliography complied by Frank W.
Journal of Religion & Film, vol. 18, no. 1, 2014, p. Article 40
Description
Film reviews of:
40 Years Celebrating Wounded Knee directed by Christopher Marshall.
The Medicine Game directed by Lukas Korver.
Shouting Secrets directed by Korinna Sehringer.
Spirit in Glass: Plateau Native Beadwork.
Winter in the Blood directed by Alex Smith and Andrew J. Smith.
Yellow Fever: The Navajo Uranium Legacy directed by Sophie Rousmaniere.
Transmotion, vol. 4, no. 2, Genocide Special Issue, December 30, 2018, pp. 31-62
Description
Author examines three different tenets of colonial thought, “that some persons are things, that matter is inert, and that some humans are autonomous of an ecological matrix,” through the lens of art-based projects that responded to the Guatemalan counter-insurgency war (1960—1996).