Art History Thesis (Ph.D.)--University of New Mexico, 2017.
Includes biographies of Robert Davidson, Roy Henry Vickers, Marvin Oliver, and Susan Point.
Aboriginal History Journal, vol. 41, 2017, pp. 71-94
Description
Discusses the Presbyterian missionary's time with the Anangu, her role as both an art and intercultural broker, and her book, The People In Between: The Pitjantjatjara Peoples of Ernabella.
Author uses an interdisciplinary approach to explore the processes of cultural hybridization and resistance and their presence in film, music, and art. Discusses how these factors can combine to preserve and revitalize traditional knowledges and cultures in the contemporary globalized world.
Transmotion, vol. 3, no. 2, December 6, 2017, pp. 30-52
Description
Author discusses the work of two Indigenous pop-artists and how they appropriate iconic mainstream imagery in order to subvert popular narratives and stereotypes in the Star Wars franchise and in the wider film industry.
A Discussion on the visual style, cultural infusion and impact of the 2014 video game Never Alone. The game is based off the Iñupiat legend of Kanuk Sayuka and was created in cooperation with elders, storytellers, and artists from the Cook Inlet Tribal Council.
Duration: 50:01.
Art History Thesis (M.A.)--Oklahoma State University, 2017
Refers to the works of Horace Poolaw, Dallin Maybee, Arthur Amiotte, Jay Polite Labor, and Wendy Red Star
Video records one class's experience with incorporating Aboriginal art and culture into the curriculum by utilizing community mentors and Elders.
Duration: 17:00.