Master's Thesis submitted in 1993 to the Institut Charles V of the University of Paris VII.
Content includes: Inventing the Indian and Representing Him from the First Encounters to the Civil War, and Various Images of the Indian: 1860-1917.
American Indian Culture and Research Journal, vol. 33, no. 1, 2009, pp. 143-192
Description
Book reviews of 20 books:
American Indians and State Law: Sovereignty, Race, and Citizenship, 1790-1880 by Deborah A. Rosen.
Architectural Variability in the Southeast edited by Cameron H. Lacquement.
Art from Fort Marion: The Silberman Collection by Joyce M.
American Indian Culture and Research Journal, vol. 32, no. 4, 2008, pp. 145-200
Description
Book reviews of 20 books:
Being and Place Among the Tlingit by Thomas F. Thornton.
The Cultivation of Resentment: Treaty Rights and the New Right by Jeffery R. Dudas.
Diabetes Among the Pima: Stories of Survival by Carolyn Smith-Morris.
Essential Song: Three Decades of Northern Cree Music by Lynn Whidden.
First Families: A Photographic History of California Indians by L. Frank and Kim Hogeland.
Households and Hegemony: Early Creek Prestige Goods, Symbolic Capital and Social Power by Cameron B.
Description, field diary and pictures of Alice Fletcher's (1834-1923) six-week travels to Dakota territory in the fall of 1881. Includes photos of Sitting Bull.
Using examples taken from images housed in the Anthropology Section of the Museum, argues that depending upon the photographer's motivations, they may portray an accurate record of Aboriginal culture or a skewed, Eurocentric viewpoint.
Report includes the following papers:
Report of the Chief Clerk by H. W. Dorsey
The Salishan Tribes of the Western Plateaus by James A. Teit, edited by Franz Boas
Tattooing and Face and Body Painting of the Thompson Indians, British Columbia by James A. Teit, edited by Franz Boas
Ethnobotany of the Thompson Indians of British Columbia by Elsie Viault Steedman
The Osage Tribe: Rite of the Wa-xo'-be by Francis La Flesche
Discusses how Oscar Howe has created a liner abstract design concept that utilizes the formal elements of line, color and space to bridge the gap between traditional Indian values and the world of contemporary art.
[Memoirs of the American Museum of Natural History ; v. 10]
[Publications of] the Jesup North Pacific Expedition ; v. 6, pt. 2
E-Books » Chapters
Author/Creator
[Waldemar Jochelson]
Description
Forms part of the Memoirs of the American Museum of Natural History, v. 10 (p. [383]-842).
PLEASE NOTE: Title page is inaccurate does not reflect the actual document.
Website makes accessible 570 objects, 2600 written documents, 500 black and white photographs and 8 sound recordings from the Shotridge collection featuring southeastern Alaskan Native history and culture.
Journal of Surrealism and the Americas, vol. 7, no. 1, 2013, pp. 52-70
Description
Discuses the Native American fine arts movement of personal expression and active engagement with mainstream modern art during the late 1940s. Focuses on the work of artists Chief Terry Saul, Walter Richard "Dick" West, and Oscar Howe.
Analyzes the kinds of art that are deemed acceptable as Aboriginal and discusses the ways the Barkindji people in Wilcannia deal with issues pertaining to the politics of culture, cultural subjectivity and identity.
Traces changes in Western attitudes toward the classification of objects and the subsequent evolution of the terminology used to refer to them.
Chapter 17 from Handbook of Material Culture edited by Chris Tilley, Webb Keane, Susanne Küchler, Mike Rowlands and Patricia Spyer.