Discussion about band Gyibaaw’s song "Gyitwaalkt", which expresses “warrior-ness” through traditional language, instrumention and heavy reverb, and the ‘audiopolitics’ of the genres of metal and black metal.
Audio File.
BC Studies, no. 199, Indigeneities and Museums: Ongoing Conversations, Autumn, 2018, pp. 113-127
Description
Curators of the exhibition Lawrence Paul Yuxweluptun: Unceded Territories describe project which brought together art, activism, history, Indigenous youth, and the wider public to "amplify the artist’s insistence that all of us consider our collective responsibilities to this earth".
American Indian Quarterly, vol. 42, no. 1, Winter, 2018, pp. 117-133
Description
Interview with co-producer and co-writer of My Louisiana Love, a documentary which details the effects of Hurricanes Katrina and Rita and the BP oil spills on her family and community.
American Indian Culture and Research Journal , vol. 42, no. 3, Native Narratives of Indigenous History and Culture, 2018, pp. 119-135
Description
Examines the content of studio publicity materials to discover traces of the labour and negotiation performed by Indigenous actors in the development and maintenance of their public personas while working in studio Hollywood. Author argues that actors were able to use their public personas to critique and influence onscreen representations of Indigenous people.
Transmotion, vol. 4, no. 1, Red Readings, April 25, 2018
Description
An experimental video/art poem and accompanying text that examines issues including land rights, resource extraction, environmentalism, the Occupy Movement and the activism of Indigenous peoples.
American Indian Culture and Research Journal , vol. 42, no. 3, Native Narratives of Indigenous History and Culture, 2018, pp. 93-118
Description
Discusses Strongheart’s role in the DeMille production of the 1925 film Braveheart; argues that Strongheart exercises his agency as a technical adviser and actor to affect the way that Indigenous people are portrayed in film.
Journal of Canadian Studies, vol. 52, no. 1, Winter, 2018, pp. 306-341
Description
Article examines the work of contemporary artists Leah Decter, Jacqueline Hoàng Nguyễn, and Caroline Monnet. Discusses the artists’ engagement with current discourse surrounding settler colonialism and their use of the arts to disrupt conceptualization of the Canadian state as inclusive and benevolent.
American Indian Culture and Research Journal , vol. 42, no. 3, Native Narratives of Indigenous History and Culture, 2018, pp. 71-92
Description
Article explores how Indigenous opera singers in the Southwestern United States in the 1920's used their platform as performers to publicize Indigenous histories; highlights the mobility of Indigenous peoples and how they helped to create modern urban spaces in the Southwest.