8th Fire Guide for Educators
8th Fire: Indigenous in the City
Aboriginal Culture Viewed Through Urban Aesthetic
Comments on the exhibition Beat Nation, that expresses freedom from oppression.
Pages 1,3 of insert entitled Raven's Eye: Special Providing News from BC & Yukon. Scanning is out of sequence for this section.
Entire issue on one pdf.
Aboriginal Research Resources
Adding Value: Rethinking Late 19th-Century Torres Strait Islander Drawings in Anthropological Inquiry
[Alena Rosen, Inuit Art, Inuit Voices: The Possibility of a Critical Inuit Art Discourse]
Alex Janvier: Reflections
Alex Janvier's Morning Star: A Metaphor for Canada’s Competing Cultures
All My Relations: Biennale of Sydney 2012
Aluminum Sioux Camps
[American Eyes on Aboriginal Art]
American Indian Arts and Crafts: The Misrepresentation Problem
American Indians and Popular Culture: Volume 2: Literature, Arts, and Resistance
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Antler Hair Combs
Discusses characteristics of different types of combs and their uses.
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Artifakes, Forgeries, and Misattributions on the Pacific Northwest Coast
Artist Corrine Hunt Mixes Traditional Art with Commercial Viability
Autobiographic Narrative in the Drawings of Napachie and Annie Pootoogook
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
The Battle of Cut Knife Hill: Harriet Yellowmud Remembers
Bazaar Artist: Felicia Huarsaya Vilasante Weaving Futures by Hand
Bazaar Artists: Project Have Hope — Investing in Women and the Future of Uganda
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Beyond True or False?: The Artificial Authenticities of Edward S. Curtis: Responses and Reactions
Brian Jungen
Bringing It Home: Artists Reconnecting Cultural Heritage with Community
Bullets, Teeth and Photographs: Recognising Indigenous Australians Between the Wars
Ceramics and Polity in the Casas Grandes Area, Chihiuahua, Mexico
Challenging Dialogue: Current Relationships between Aboriginal and non-Indigenous Art and Artists
Changing Hands 3: CONNECTIONS: Contemporary Native Art in Context
The Circulation and Silence of Weaving Knowledge in Contemporary Navajo Life
Clan At.óowu in Distant Lands: An Overview of Tlingit Art in European and Russian Museums
Close Encounters: The Next 500 Years
The Coast Salish Knitters and the Cowichan Sweater: An Event of National Historic Significance
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Community, Conflict, Difference: New Genre Public Art in Winnipeg
Consultation of the Muses
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Contemporary Canadian Aboriginal Art: Storyworking in the Public Sphere
Cradle Boards for Babies
Discusses various examples of Mohawk and Seneca boards and the techniques used to create them.