An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
British and Indian Identities in a Picture by Benjamin West
Call Me Angakkuq: Captain George Comer and the Inuit of Qatiktalik
Case Study: Bob Boyer the Artist
Chasms and Collisions: Native American Women's Decolonial Labor
Contemporary Indigenous Arts in the Classroom
Contemporary Native Art II: A Bibliography
Cover Artist: Arthur Jack
Cover Artist: Clarence Kapay
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
"Eloquent Representatives:" A Study of the Native American Figure in the Early Landscapes of Thomas Cole, 1825-1830
Equality
First Nations Culture: Who Knows What?
Folk Art and Ethnicity on the Prairies: Lysenko, Kurelek, Suknaski and Sapp
Frederick Alexcee's Entangled Gazes
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
Gather Around This Pot …
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
Historical Representations of Lake Sturgeon by Native and Non-Native Artists
Home and Native Land: Imagining "Canada" in the Style of Indigenous Art
Honouring: Project of Heart / Speaking to Memory
Hopi-Tewa Pottery: 500 Artist Biographies: vol. 1
“If Only It Makes Them Pretty”: Tattooing in “Prompted” Inuit Drawings
Image-based Storytelling: A Visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.
Images of Justice
Incorporating Culture: How Indigenous People Are Reshaping the Northwest Coast Art Industry
Indian Humor
Website for exhibition organized by the American Indian Contemporary Arts. Contains links to curator's notes and individual works by over 30 artists.
Indian Summer: Reclaiming and Revitalizing Native American Identity through Art
Inspiration from Museum Collections: An Exhibit as a Case Study in Building Relationships between Museums and Indigenous Artists
Interviews With Loretta Todd, Shelley Niro and Patricia Deadman
Jimmie Durham
Kunwinjku Spirit: Creation Stories From Western Arnhem Land
The Legacy of Generations: Pottery by American Indian Women
Let’s Dance: Jerry Whitehead
The Living Web: Contemporary Expressions of California Indian Basketry
Lost O'Keeffes/Modern Primitives: The Culture of Native American Art
Made with Love: Tracing Personal and Cultural Resilience in Annie Pootoogook’s Drawings
Art History Major Research Paper (M.A) - Ontario College of Art & Design University, 2018.
Music, Visual Art, Stories: Conversations With a Community of Micmac Artists
Native American Women Photographers as Storytellers
No Beginning, No End: The Sami Speak Up
Northwest Coast: Educator Resource Guide
Lessons structured around items from the Seattle Museum of Art's collection.
Painted Memory, Painted Totems
Painting Native America in Public: American Indian Artists and the New Deal
Painting You, Painting Me: Viewing the 'Other' through Gendered-Violence against Indigenous Women and Girls in Kent Monkman's "Shame and Prejudice: A Story of Resilience"
Religion Master's Essay (M.A) -- Queen's University, 2018.
Performing Archive: Curtis + "the vanishing race"
Picking Up the Pieces: The Making of the Witness Blanket
Pocahontas Looks Back and Then Looks Elsewhere: The Entangled Gaze in Contemporary Indigenous Art
Potlatch 67-67: Then and Now
Catalogue for exhibition held to mark the 67th anniversary of the lifting of the Potlatch ban.
Related material: Lesson Plan.