Cyrus Dallin's The Scout: Civic Identity Cast through a Native
Dana Claxton, The Mustang Suite and Hybrid Humour
Dance and the Rodeo: Partners at the Party
Dance of the Loon: Symbolism and Continuity in Copper Inuit Ceremonial Clothing
"Dance Your Style!": Towards Understanding Some Cultural Significances of Pow Wow References in First Nations' Literatures
Dancing Power: Examining Identity Through Native American Powwow
The Dawn of Translation
Deadly Detectives: How Aboriginal Australian Writers are Re-creating Crime Fiction
Decentering Durham
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Defining the Native: Local Print Media Coverage of the NMAI
Delicious Resistance, Sweet Persistence: First Nations Culinary Arts in Canada
Designing, Producing and Enacting Nationalisms: Contemporary Amerindian Fashions in Canada
The Developmental Support to Aboriginal Theatre Organizations: Study
Dialogue- Assimilation- Subversion: Contemporary New Media Native Art in Canada
DIAMA: Digitizing the Inuit and Aboriginal Media Archive
Disconnected in Mexico
Experiences of an Inuit artist performing at a Canadian food festival held in a Chinese restaurant in Mexico City.
Discursive and Mediatic Battles in Thomas King's Green Grass, Running Water
Discussing Portraiture, Representation and the Social Consequences of Photography: A Photographic Conversation Between Jeff Thomas and Edward S. Curtis
Dismantling the Master's House: The Feminist Fourth Cinema Documentaries of Alanis Obomsawin and Loretta Todd
Do You Recognize Who I Am? Decolonizing Rhetorics in Indigenous Rock Opera Something Inside is Broken
Don Amero - [Windspeaker Confidential]
Interview with Métis acoustic musician Don Amero.
Entire issue on one pdf. To access article scroll to p.19.
"Don't Even Talk to Me if You're Kinya'áanii [Towering House]": Adopted Clans, Kinship, and "Blood" in Navajo Country
The Double Movements That Define Copyright Law and Ingenious Art in Australia
Double Take: Contesting Time, Place, and Nation in the First Peoples Hall of the Canadian Museum of Civilization
Droppin' Conscious Beats and Flows: Aboriginal Hip Hop and Youth Identity
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.1: Multiplication and First Nations Drumming
Teacher-created lesson plan developed in conjunction with the Stirling McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
Early 20th Century Photography of Australian Aboriginal Families: Illustration or Evidence?
Eastern Cherokee Creation and Subsistence Narratives: A Cherokee and Religious Interpretation
Economic Impact Study: Nunavut Arts and Crafts: Final Report
Ed Peekeekoot: Musician, Artist, Visionary
Effigy Pipes, Diplomacy, and Myth: Exploring Interaction Between St. Lawrence Iroquoians and Eastern Iroquois in New York State
Embracing My Identity: Reflections on Jorge González Camarena's Painting El Abrazo
Entrelacs: Ontologie Métisse et Poïétique Dialogique
Entrepreneur Gets Hand Up From Dragons
Introduction to Quemeez, a handmade baby moccasin-making company, and the entrepreneurial story behind them.
Entire issue on one pdf. To access article scroll to p.20.
Entwined Histories: The Creation of the Maisie Hurley Collection of Native Art
The Evolution of Beaded Baskets
Examining the Gathering of Nations Powwow and a NCCA Division I Basketball Game
Exhibiting Dual(ling) Narratives of Canadian Art at the Art Gallery of Ontario
Exhibition Review: The National Museum of the American Indian
Overview of museum which opened its doors on September 21, 2004 and contains over 800,000 objects. Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
An Exploration of First Nations Artists in Alert Bay, B.C.: Connecting to the Art Market From Home
Exploring and Re-Creating Indigenous Identity through Theatre-based Workshops
Exploring the Sacred in Aboriginal Performance Art
Eye Contact: Photographing Indigenous Australians
The Fabric of Basketry: Initial Archaeological Study of the Grass Artifacts Assemblage from the Nunalleq Site, Southwest Alaska
Highlights the excavation of grass artifacts near Quinhagak, Alaska and what they can reveal about the precontact Yup'ik people.