Vantage Point: "Take a Picture with a Real Indian"
Visible Sexualities or Invisible Nations: Forced to Choose in Big Eden, Johnny Greyeyes, and The Business of Fancydancing
A Visual Autobiography: The Self-Portraits of Carl Beam
Visual Power: 21st Century Native American Artists/Intellectuals
Curator's overview of exhibition of the same name. Discusses the work of selected artists, including Norman Akers, George Longfish, Gail Tremblay, Edgar Heap of Birds, Duane Slick, and Nadema Agard.
Joint issue with: Indigenous Studies Today Issue 1, Spring 2006.
Visual Sovereignty and Indigenous Film Festivals: A Case Study on the Native Crossroads Film Festival
Voices in the Era of Silents: An American Indian Aesthetic in Early Silent Film
Waanatan's Pipe and Tobacco Bag
Walk-Through at the Hammer
Walking in Two Worlds: The Role of Drama in Creating Cross-Cultural Understanding and Student Engagement in School
Walking with Our Sisters: Healing through Storytelling
Wapos Bay: Catch the Spirit
Wapos Bay: The Wapos Falcon
Waskawewin
The Waters of Venice: Rebecca Belmore at the 51st Biennale
Wave Eaters: Native Watercraft in Canada
The Way of Inuit Art: Aesthetics and History in and Beyond the Arctic
We Must Grow Our Own Artists: Mary-Russell Ferrell Colton, Northern Arizona's Eary Art Educator
“We Need New Stories”: Trauma, Storytelling, and the Mapping of Environmental Injustice in Linda Hogan’s Solar Storms and Standing Rock
We Were So Far Away: The Inuit Experience of Residential Schools
A Weekend With Buffy: Driving Miss. Sainte-Marie
The West and Beyond: New Perspectives on an Imagined Region
What Shall We Do with the Bodies? Reconsidering the Archive in the Aftermath of Fraud
What Sort of Indian Will Show Me the Way?: Colonization, Mediation, and Interpretation in the Sun Dance Contact Zone
When Consumerism and Art Collide: A Question of Identity
"Where Are All the Great Collections of Contemporary Native American Art?"
Where the Ancestors Walked: Australia as an Aboriginal Landscape
[Where the Blood Mixes]
Where the Blood Mixes by Kevin Loring: Study Guide
"Where the Light Comes Through": A Commission in Stained Glass by Kenojuak Ashevak
The White People Problem: Experiments in the Reverse Gaze.
Who is artinjun.ca?
"Why Cheyenne?"
Why Make Movies?: Some Atikamekw Answers
Wîhtikow Feast: Digesting Layers of Memory and Myth in Highway's Kiss of the Fur Queen and McLeod's Sons of a Lost River
William Barak and the Affirmation of Tradition
Winding Through the Milky Way (Song)
Windspeaker News Briefs
Outlines six stories including: flooding and a mudslide in the community of Tsawataineuk First Nation, tropical storm Earl uncovers First Nations artifacts in New Brunswick, questions about gun registry violating treaty rights and more.
Entire issue on one pdf. To access article scroll to p.9.
Windspeaker News Briefs
Outlines three stories: an agreement with Brokenhead Ojibway Nation's chief and Manitoba's minister of conservation to protect petroform sites, an outcry for a public inquiry into the murders of convicted killer Robert Pickton and a request for a ban on the bulldozing of important Native sites without the consent of Ontario First Nations people.
Entire issue on one pdf. To access article scroll to p.9.
Wokiksuye: The Politics of Memory in Indigenous Art, Monuments, and Public Space
Work 2 Give: Fostering Collective Citizenship through Artistic and Healing Spaces for Indigenous Inmates and Communities in British Columbia
Working in Whitehorse
Xstine Cook and Spirit of White Buffalo
"You Do Not Understand ME": Hybridity and Third Space in Age of Iron
Youth Leisure in a Native North American Community: An Observational Study
Yua: Spirit of the Arctic: Eskimo and Inuit Art from the Collection of Thomas G. Fowler
Yuraryararput Kangiit-llu: Our Ways of Dance and Their Meanings
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