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2016 Report and Recommendations and Government of Alberta Response
Aboriginal Midwifery in Canada: Blending Traditional and Modern Forms
Aboriginal Theatre
Aboriginal Women’s Access to Justice Video Project Report
Background and information to accompany the videos: Don't Need Saving: Aboriginal Women and Access to Justice and A Message to You from the Hearts of Aboriginal Women.
Andrea Menard
[The Art of Mary Anne Barkhouse]
The Art of Rosalie Favell
Artist Database: Merasty, Angelique
Artists with Their Work - Ruth Cuthand. - Program. - 1990.
Historical note:
Ruth Cuthand was born in Prince Albert, SK in 1954 and grew up near the Blood Reserve in Alberta. Her heritage is Plains Cree and Scots/Irish. Her Aboriginal culture and memories of her childhood experiences are often the inspiration for her art-making practice.Beauty and Resilience: Reclaiming Métis History and Women's Traditions in the Beaded Paintings of Christi Belcourt
A Brief History of Indigenous Australian Contemporary Theatre
Cathy Mattes
Challenging Relationships: Annie Pootoogook Memory of Eating With Family and Images of Modern Inuit Life
Changemakers Lesson Plans: Remote Learning
Lesson plans focus on Native Americans who are fighting invisibility and creating change through their work, contributions from the past, and current actions which will impact the future.
Coast Salish Textiles: From ‘Stilled Fingers’ to Spinning an Identity
Courageous Conversations
The Ecstasy of Rita Joe by George Ryga: Study Guide
Plot of novel involves a young Shuswap woman who leaves her reserve for the city and is ultimately raped and murdered. Includes overview of play, biography of playwright and director, and focus questions.
Hearts of Our People: Native Women Artists: Teacher's Guide
For use with exhibition of the same name.
Related material: Interviews with artists.
Honouring Indigenous Women: Hearts of Nations. Vol. 1
The Hours That Remain by Keith Barker: Study Guide
Indian Notes [Vol. 10, no.3, Summer, 1974]
Indian Record (Vol. 36, No. 3-4, March-April, 1973)
Indian Record (Vol. 36, Nos. 6-7, July-August, 1973)
Indian Record (Vol. XXIV, No. V, May, 1961)
Indian Record (Vol. XXIX, No. 4, April, 1966)
Indian Record (Vol. XXXI, No. 4, April, 1968)
Innovations in Knowledge Translation: The SPHERU KT Casebook
Interview with Christi Belcourt, Contributing Artist and Coordinator for Walking with Our Sisters
Issues of Collective Leadership in Building a Business with Indigenous Artists: An Arts Management Case Study
Kwa'nu'te': Micmac and Maliseet Artists: [Study Guide]
The Life You Want: A Young Woman's Struggle through Addiction: Educational Resource
Mentoring Artists for Women’s Art, MAWA: Urban Aboriginal Advisory Committee Final Report, 2005
Missing and Murdered Indigenous Women of North America: Culture as a Tool to Denounce
More Than a Declaration of Peace: The Plains Indian Pipe and Calumet Ceremony
Native American Canon
Native American Women Photographers as Storytellers
Navajo Weaving: Quotations For An Insight To The Beauty
NAWPA [Native American Women Playwrights Archive] Authors' Roundtable
[North American Indians: A Collection of Bibliographies, Resource Lists, Questions and Answers, and Other Leaflets]
Othered Women
The Post Genocide Trauma Stress Syndrome is Inerasable for a Long Long Time
Rebecca Belmore's Performance of Photography
Representations of Native American Women in Museums
Resilience: Teaching Guide
Developed to accompany the exhibition Resilience which featured Indigenous women artists' works displayed on billboards in inner cities and on highways.
Related material: Project Templates; curatorial essay The Resilient Body by Lee-Ann Martin and her curator's talk.