Red: A Haida Manga
Redefining Indigenous Perspectives Through Art and Dialogue with Bob Haozous
Remembering the Past: A Window to the Future: Stained Glass Window in Parliament Artist Description of Giniigaaniimenaaning
Renegotiating Identities, Cultures and Histories: Oppositional Looking in Shelley Niro's This Land is Mime Land
The Representation of First Nations Art at the Art Gallery of Ontario
Reservation X: The Power of Place
Reservation X: The Power of Place in Aboriginal Contemporary Art
Reshaping Tradition: Linking Continuity, Change, and Formline Design in Contemporary Northwest Coast First Nations Art
Residency with Gallery Gachet 2008
Residential School Research a Learning Experience
Rethinking the Prairie Page in Print Culture: Paper Presented at the Prairie Print Culture Colloquium
Explores the meaning and implications of ledger drawings made by Aboriginal men in the late nineteenth century within the context of the book culture.
Reviews
Risky Business
Ritual and the Individual: An Analysis of Cibicue Painted Corrugated Pottery From Grasshopper Pueblo, Arizona
Robert Houle: enuhmo andúhyaun (the road home)
Sample Cover for The Face Pullers
Sara Diamond
Saving Wirikuta: My People’s Struggle to Protect a Sacred Place in Mexico
Secwepemc History: The First 220 Years of Contact
Sequoyah National Research Center
Website is one of the largest repositories of Native American publications including newspaper & periodical collections, manuscripts & special collections. Also includes Dr. J. W. Wiggins Native American Art Collection, SNRC newsletters, links and other research collections.
Sheena's Story
[Sheena's Story of Healing (Cree Language Version)]
Shellwork
Discusses various examples, their purpose and the techniques used to make them.
The Shifting Phases of a Commodity: Textiles and Ethnic Tourism on a Lake Titicaca Island
Situated Flow: A Few Thoughts on Reweaving Meaning in the Navajo Spirit Pathway
Songlines, Stories and Community Engagement: A Conversation with Cheryl L'Hirondelle, Elwood Jimmy, and Chris Bose
Spinning the Web of a Spider
Stone as Stone: An Essay About Jimmie Durham
Stone Bodies in the City: Unmapping Monuments, Memory and Belonging in Ottawa
The Story of the Coast Salish Knitters
Subversion Through Inversion: Kent Monkman's The Triumph of Mischief
Suffer Little Children
Sundays With Harry: An Essay on a Contemporary Native Artist of Our Time
Surrounded by Beauty: Arts of Native America
Susweca: The Dragonfly Motif in Plains Indian Art
Taking Action! Art and Aboriginal Youth Leadership for HIV Prevention
Tattoos of the Hunter-Gatherers of the Arctic
Terrance Houle & Adrian Stimson: Buckskin Re-Mounting
Three Hundred Years of Tlingit Art
Through Our Eyes: An Indigenous View of Mashapaug Pond
Through the Eyes of the Cree
The Totemic Art of Small-Town Canada
Tourists' Perceptions of Aboriginal Heritage Souvenirs
Traditions, Arts & Trades: Teacher Manual
Although created for the Old Crow Experiential Educational Project, some activities can be adapted for other contexts. Lessons are grouped by Grades 7-9, Grades 4-6, and Grades 1-3.
Transforming Hybridities: Brendan Lee Satish Tang's Manga Ormolu and Michael Nicoll Yahgulanaas' Haida Manga
The Trick Question: Finding a Home for Tricksters in Indigenous Literary Nationalism
Understanding Place in Culture: Serigraphs and the Transmission of Cultural Knowledge
Urban Representations: Cultural Expression, Identity and Politics
Utilising PEARL to Teach Indigenous Art History: A Canadian Example
Professor from the University of Regina presents case study based on teaching a third-year course titled "Contemporary Aboriginal Art and Colonialism".