Aboriginal and Torres Strait Islander Guidelines for Drama/Theatre Education
Aboriginal Artistic Leaders’ Summit: Report and Analysis
Aboriginal Voices: Amerindian, Inuit and Sami Theater
An Accidental Teacher: Anthony Walsh and the Aboriginal Day Schools at Six Mile Creek and Inkameep, British Columbia, 1929-1942
Adam Beach Introduction in Movie/Play "Kigeet"
Alanis King New Artistic Director at Saskatchewan Native Theatre
AlterNatives
Originally published by Talonbooks, 2000.
Anti-Hero Avengers and the Not-So-Lone Ranger
The Baby Blues
Being There: Stage Presence and The Unnatural and Accidental Women
The Bingocentric Worlds of Michel Tremblay and Tomson Highway: Les Belles-Soeurs vs. The Rez Sisters
Looks at the parallels between two plays in terms of the subject matter and the dramatic techniques used. For example, bingo, is used as a symbol and illustration of women's consumerism and of the spiritual emptiness in their lives.
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Discusses a play, The Book of Jessica, that illustrates the struggle women have in understanding what being "a woman" means, including across the barriers of race, culture, privilege and age.
The Boy in the Treehouse
Broadway (Un)Bound: Lynn Rigg's The Cherokee Night
Burning Vision
Circle of Voices Reveals the Healing Power of Kihew
Congress Examines Role of Arts Within Aboriginal Community
Overview of Gordon Tootoosis and Maria Campbell's speeches at the 2007 Congress of the Humanities and Social Sciences. The two speakers talked about the importance of theatre in Aboriginal culture and the hurdles they faced in their careers.
Entire issue on one pdf. To access article scroll to p.25.
Copper Thunderbird by Marie Clements: Study Guide
Cultural Collision and Magical Transformation: The Plays of Tomson Highway
Dana Claxton's Patient Storm
De-Colonizing Bodies : The Treatment of Gender in Contemporary Drama and Film
The Death of a Chief: Watching for Adaptation ; or, How I Learned to Stop Worrying and Love the Bard
The Development of Native American Theatre Companies in the Continental United States
The Double Entendre of Re-Enactment
The Ecstasy of Rita Joe
Ernestine Shuswap Gets Her Trout
The Essence of Singing and the Substance of Song: Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis
The George Ryga Papers: George Ryga Fonds, Renée L. Paris Fonds, George Ryga & Associates Fonds. An Inventory of the Archive at the University of Calgary Library
In a World Created by a Drunken God
In the Heard Museum Art Imitates Life
Interview with Darrell Dennis
Interview with Kennetch Charlette
Invisible Indigeneity: First Nations and Aboriginal Theatre in Japanese Translation and Performance
Jani Lauzon
Laughing Out Loud: American Indian Comedy as a Force for Social Change
Lori Blondeau and Adrian Stimson
[Marie Clements]
Native American Responses to the Western
Native Theatre's Curtain Call?
New Stages: Questions for Canadian Dramatic Criticism
Niigaanibatowaad: FrontRunners
On the Road with Tomson Highway's Blues Harmonica in "Dry Lips Oughta Move to Kapuskasing"
Explains how the use of blues, used mainly as an expression of the African-American struggle, is appropriate as an accompaniment to the play Dry Lips Oughta Move to Kapuskasing.
Only Drunks and Children Tell the Truth
Overlapping/Contesting Representations: Tourism and Native/Indian Canadians
Performing Aboriginalities: A Cross-Cultural Perspective
Performing Aboriginality at the Venice Biennale: The Performance Art of Rebeca Belmore and James Luna
Performing Arts: Protocols for Producing Indigenous Australian Performing Arts
Play Provides Sex Education Roadmap
Comments on the positive feedback the Saskatchewan Native Theatre Company received when performing their interactive play on sex education to three schools in Saskatoon and La Ronge.
Entire issue on one pdf. To access article scroll to p.13.