Actor Gives Back Willingly
Brief profile of Cree actor, Carol Greyeyes, artistic director and principal of the Indigenous Theatre School. The article tells how Carol is able to fulfill her life goal of serving her community by bringing together theatre, directing and teaching in Saskatchewan.
Entire issue on one pdf. To access article scroll to p.32.
Andrea Menard
Artists of Change: Breaking Through the Millennium [Part 2]
Arts Education Partnerships, Experiences and Practices: a Voyage of Discovery
The Bingocentric Worlds of Michel Tremblay and Tomson Highway: Les Belles-Soeurs vs. The Rez Sisters
Looks at the parallels between two plays in terms of the subject matter and the dramatic techniques used. For example, bingo, is used as a symbol and illustration of women's consumerism and of the spiritual emptiness in their lives.
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Discusses a play, The Book of Jessica, that illustrates the struggle women have in understanding what being "a woman" means, including across the barriers of race, culture, privilege and age.
Book Review: Seventh Generation: An Anthology of Native American Plays
Cultural Collision and Magical Transformation: The Plays of Tomson Highway
The Development of Native American Theatre Companies in the Continental United States
The Essence of Singing and the Substance of Song: Recent Responses to the Aboriginal Performing Arts and Other Essays in Honour of Catherine Ellis
The George Ryga Papers: George Ryga Fonds, Renée L. Paris Fonds, George Ryga & Associates Fonds. An Inventory of the Archive at the University of Calgary Library
"Give Me Back the Real Me": The Politics of Identity and The Ecstasy of Rita Joe, 1967-1992
"Howwe Gonna Find My Me?": Postcolonial Identities in Contemporary North American Drama and Film
Lill in Review: A Working Bibliography
"Marlon Brando, Pocahontas, and Me"
Native American Dance: A Synergy of Dance, Drama and Religion
Native American Responses to the Western
New Stages: Questions for Canadian Dramatic Criticism
On the Road with Tomson Highway's Blues Harmonica in "Dry Lips Oughta Move to Kapuskasing"
Explains how the use of blues, used mainly as an expression of the African-American struggle, is appropriate as an accompaniment to the play Dry Lips Oughta Move to Kapuskasing.
Overlapping/Contesting Representations: Tourism and Native/Indian Canadians
Red Salmon and Red Cedar Bark: Another Look at the Nineteenth-Century Kwakwaka'wakw Winter Ceremonial
Santee Smith
Spatial Narrative: Aural and Visual Construction in the
Musical Narrative of Minority Discourse
Spread the Message, Not the Disease
"The Story of Rehearsal Never Ends": Rehearsal, Performance, Identity in Settler Culture Drama
Taking Soundings
Tomson Highway: Freeing Myth & Language
The Trickster in Transition: Tomson Highway's Theatrical Adaptation of the Traditional Trickster Figure
Drama Thesis (M.A)--University of Alberta, 1995.