Aboriginal Voices: Amerindian, Inuit and Sami Theater
Almighty Voice and His Wife: Education Guide
Authentic Culture: The Inkameep Plays as Canadian Indian Folk Drama
The Bingocentric Worlds of Michel Tremblay and Tomson Highway: Les Belles-Soeurs vs. The Rez Sisters
Looks at the parallels between two plays in terms of the subject matter and the dramatic techniques used. For example, bingo, is used as a symbol and illustration of women's consumerism and of the spiritual emptiness in their lives.
The Book of Jessica: The Healing Circle of a Woman's Autobiography
Discusses a play, The Book of Jessica, that illustrates the struggle women have in understanding what being "a woman" means, including across the barriers of race, culture, privilege and age.
Canada's Dominant Ideology Revealed: Uncovering the Crushing Oppression on Aboriginal Women
Collective Identity Formation and Cultural Trauma in Black Feminist Drama: In the Blood and Funnyhouse of a Negro
Cultural Collision and Magical Transformation: The Plays of Tomson Highway
De/Constructing Queer Representation on the Rez.
The Development of Native American Theatre Companies in the Continental United States
The Ecstasy of Rita Joe by George Ryga: Study Guide
Plot of novel involves a young Shuswap woman who leaves her reserve for the city and is ultimately raped and murdered. Includes overview of play, biography of playwright and director, and focus questions.
Expressions: Canadian Aboriginal Artists
Feats and Defeats of Memory: Exploring Spaces of Canadian Magic Realism
Footpaths & Bridges: Voices From the Native American Women Playwrights Archive
Footpaths & Bridges: Voices from the Native American Women Playwrights Archive. Shirley A. Huston-Findley and Rebecca Howard, eds.
Fox No Longer The Unsung Star
The George Ryga Papers: George Ryga Fonds, Renée L. Paris Fonds, George Ryga & Associates Fonds. An Inventory of the Archive at the University of Calgary Library
Healing Through Presence: The Embodiment of Absence in the Plays of Daniel David Moses
Indig-curious: What are the Challenges for Non Aboriginal Theatre Practitioners in Accessing and Interpreting Aboriginal Themes?
Interculturalism Light: The Irony of Blues in The Berlin Blues
Journeys Towards Healing: Voice and Vision in Contemporary Multi-Ethnic Drama in Canada
Local Performances, Global States: Postcolonial and Indigenous Drama and Performance in Glocal Circuits
Misconceptions Crumble: the Potential of Native-Controlled Theatre to Deconstruct Non-Native Americans' Perceptions of Native Peoples in the United States
New Stages: Questions for Canadian Dramatic Criticism
On the Road with Tomson Highway's Blues Harmonica in "Dry Lips Oughta Move to Kapuskasing"
Explains how the use of blues, used mainly as an expression of the African-American struggle, is appropriate as an accompaniment to the play Dry Lips Oughta Move to Kapuskasing.
Passion for Action in Child and Family Services: Voices From the Prairies
Patrick Bird Used His Gifts to Overcome
Performance as Exhibit: When Edward Curtis Met the Kwak-waka’wakw
Performing Worlds into Being: Native American Women’s Theater
Poetry, Remnants and Ruins: Aboriginal Theatre in Canada
Rehearsing with Reality: Exploring Health Issues with Aboriginal Youth through Drama
Shaking the Paluwala Tree: Fashioning Internal Gathering Houses and Re-Fashioning the Spaces of Popular Entertainment through Contemporary Investigations into “Native Performance Culture (NpC)”
Spread the Message, Not the Disease
"The Story of Rehearsal Never Ends": Rehearsal, Performance, Identity in Settler Culture Drama
Taking Back Our Spirits: Indigenous Literature, Public Policy, and Healing
Thanks to the Creative Visionaries in Our Midst
Three Plays: The Indolent Boys, Children of the Sun, The Moon in Two Windows
The Trickster in Transition: Tomson Highway's Theatrical Adaptation of the Traditional Trickster Figure
Drama Thesis (M.A)--University of Alberta, 1995.