Records in the Margaret Baker fonds collection tell the story of the development of the Wahpeton reserve and Lucy Baker's activities as a missionary teacher. Reflects stereotypical views of the time.
Inuit Art Quarterly, vol. 26, no. 3-4, Fall/Winter, 2011, pp. 14-20
Description
Looks at the work of artists Arnaqu Ashevak, Ohotaq Mikkigak, Suvinai Ashoona, Itee Pootoogook, Tim Pitsiulak, and Jutai Toonoo.
Entire issue on one pdf. To access article scroll to p. 14.
Eagle Feather News, vol. 14, no. 4, April 2011, pp. 1-2
Description
Description of a travelling art exhibit, The Recognition of Place: Strength & Endurance of Aboriginal Women, which features eight female leaders, some posthumously.
Article found on pages 1-2.
Grave marker of Rev. John Richard Matheson (1848-1916), Missionary in charge of the St. Barnabas Anglican Mission at Onion Lake. He was also the husband of Elizabeth Beckett Matheson, a doctor who served the Onion Lake district. Also listed on the marker are Edith and Baby Jack, children of the Mathesons.
Series of images taken at Fort Pitt, Saskatchewan, during the Commemoration ceremonies of the signing of Treaty #6 in 1876. 1. Exterior of reconstruction of Fort Pitt; 2. Group of tipis; 3. Top of several tipis, with Union Jack and First Nations flags visible; 4. Large Treaty 6 medal in foreground, with a group of people in background; two non-Natives are wearing NWMP uniforms, and one Aboriginal man is wearing a headdress; 5.
A group of Aboriginal males of all ages, in ceremonial dress, march during the Grand Entry of the Onion Lake Pow Wow. Some are holding flags, while some hold feather staffs. [Taken indoors].
Two portraits of a male and female Aboriginal child taken during the Onion Lake Pow Wow. The male child is clad in ceremonial dress; the female child is wearing western clothing. [Taken indoors].
Series of images of road signs and buildings on the Onion Lake First Nation. The signs are a map of the First Nation and a tribute to Seekaskootch, "Guardian of the People." Also shown is the Onion Lake Homemakers building with an Aboriginal woman standing on the front steps, and an exterior view of Walter's Pool Hall.
Series of four slides showing events during the Grand Entry at the Beardy's and Okemasis First Nation International Pow Wow. Scenes include flag bearers marching, dancers and two war veterans marching.
Two slides showing exterior views of the NWMP Officers' Quarters and a corner post of the stockade at Fort Carlton, Saskatchewan. Also includes a large metal reproduction of the Treaty Six medal, and a group of Aboriginal men, some on horseback bearing flags and some walking while drumming.
Three slides showing events during the Beardy's and Okemasis First Nation International Pow Wow. Scenes include the Beardy's and Okemasis Veterans Association booth, view of interior of tent, and a seated male elder posing for the camera.
Group of slides commemorating the signing of Treaty 6. Scenes include: a group of Aboriginals marching, some in war veterans uniforms and some in ceremonial dress; two views of Beardy's and Okemasis road signs from 1979 and 2001; view of Union Jack and Canadian flags flying; and a sign for a mural located in Duck Lake that depicts the signing of Treaty 6.
Group of slides showing the murals of Duck Lake; 1. Crossing the Saskatchewan; 2. The Carlton Trail; 3. The Signing of Treaty #6; 4. The Signing of Treaty #6 mural and lamp post; 5. Major Players in the 1885 Uprising; 6. Almighty Voice; 7. Duck Lake road sign.
Website contains links, some with access to the full text of presentations, from a conference which explores intellectual thought and cultural development of Aboriginal peoples in Canada. Many of the presenters were Canadian.
Art History Thesis (M.A.)--Concordia University, 2001.
This work is largely focussed on the Across Borders: Beadwork in Iroquois Life exhibit of 1999-2000.
Inuit Art Quarterly, vol. 16, no. 2, Summer, 2001, pp. 36-38
Description
Curatorial notes for exhibition of the same name mounted at University Art Gallery, Ontario, 2001.
Entire issue on one pdf. To access article, scroll to page 36.
Inuit Art Quarterly, vol. 16, no. 4, Winter, 2001, pp. 22-26
Description
Notes that artists from almost every community in the North are represented in the art bank with Cape Dorset and Baker Lake being most prominent.
Each issue on one pdf. To access article, scroll to page 22.
Discussion about the controversial series of paintings entitled The Forgotten by Pamela Masik which portrayed the sixty-nine missing and murdered women from Vancouver's Downtown Eastside. The exhibition to be held at the Museum of Anthropology was cancelled due to protests.
Duration: 31:50.
Inuit Art Quarterly, vol. 16, no. 3, Fall, 2001, pp. 18-21
Description
Curatorial notes for the exhibition of the same name mounted at the Winnipeg Art Gallery, Winnipeg, Manitoba, January 20 to March 11, 2001.
Entire issue on one pdf. To access article, scroll to page 18.
Proceedings from the second Virtual Roundtable on First Nation Citizenship held June 20, 2011. Roundtable featured discussion on First Nation citizenship, identity, and Nationhood.
Inuit Art Quarterly, vol. 16, no. 2, Summer, 2001, pp. 42-45
Description
Curatorial notes from exhibition of the same name mounted at the Winnipeg Art Gallery, Manitoba, 2001.
Entire issue on one pdf. To access article, scroll to page 42.