Inuit Art Quarterly, vol. 8, no. 3, Fall, 1993, pp. 34-37
Description
Review on an exhibition at the Anchorage Museum of History and Art until September 19, 1993 in which art from Canada, Alaska, Greenland, Russia and Lapland was displayed.
Entire issue on one pdf. To access article, scroll to page 34.
Inuit Art Quarterly, vol. 8, no. 1, Spring, 1993, pp. 35-40
Description
Comments on third version of Swinton's book formerly called Eskimo Sculpture and Sculpture of the Eskimo.
Entire issue on one pdf. To access article, scroll to page 35.
Aboriginal and Islander Health Worker Journal, vol. 17, no. 5, September/October 1993, pp. 22-23
Description
Streetwize conducted a series of visual art workshops with Aboriginal and Torres Strait Islander people to make posters on HIV/AIDS that would be meaningful to Aboriginal youth.
Inuit Art Quarterly, vol. 8, no. 1, Spring, 1993, pp. 48-50
Description
Discusses the history of the ongoing issue of real versus "fake" sculpture, carvings and other art forms.
Entire issue on one pdf. To access article, scroll to page 48.
Inuit Art Quarterly, vol. 8, no. 2, Summer , 1993, pp. 26-31
Description
Overview of exhibition at the Canadian Museum of Civilization, Hull, Quebec, December 17 to May 2 1993. Comments on the three sections: sculptures, graphics and wall-hangings.
Entire issue on one pdf. To access article, scroll to page 26.
Saskatchewan Indian, vol. 22, no. 4, April 1993, p. 13
Description
Highlights an exhibit of works by artist Brian Seesequasis (1958-) of the Beardy's and Okemasis First Nation held at the Regional Interpretive Centre in Duck Lake, Saskatchewan.
Inuit Art Quarterly, vol. 8, no. 3, Fall, 1993, pp. 38-40
Description
Review of exhibition at the McMichael Canadian Collection, Kleinberg, Ontario March 14 to June 13, 1993 which consisted of 78 drawings by 39 artists documenting 30 years of drawing.
Entire issue on one pdf. To access article, scroll to page 38.
Inuit Art Quarterly, vol. 8, no. 3, Fall, 1993, pp. 24-33
Description
Presents a condensed version of sessions, held for 3 days in Ottawa, in which artists describe problems of adequate supply of carving stone, mass production of "souvenir" Inuit carvings, and being involved in marketing of their art.
Entire issue on one pdf. To access article, scroll to page 24.
Discusses a controversial lesson in history through art, by presenting nstitutions devoted to nostalgic theme-park versions of history; the exhibit contrasts violence, defiance, racism, alienation and suicide with family harmony, friendship, creativity and work.