Illustrated booklet of totems, including five postcards: three are entitled 'Indian Totem Poles, Kitwanga, BC'; one entitled 'The Lion Totem of Kitwanga, BC'; and one entitled 'Totem Poles Stanley Park Vancouver B.C.' Description sheet duplicates some text in booklet.
Brief discussion of art from the time museums ceased collecting extensively to the present, with some discussion on the prominent artists and their particular art form.
American Indian Culture and Research Journal, vol. 25, no. 2, 2001, pp. 37-61
Description
Examines the work of Frederick Alexie (Frederick Alexcee), a Tsimshian carver and painter and Mathias Joe, a Squamish carver, during the assimilation policy period of 1867-1951 in British Columbia.
Inuit Art Quarterly, vol. 13, no. 1, Spring, 1998, pp. 32-34
Description
Curatorial notes for exhibition of the same name at the Canadian Cultural Centre, France, 1997 and The Waikato Museum of Art and History, New Zealand, 1997.
Entire issue on one pdf. To access article, scroll to page 32.
Inuit Art Quarterly, vol. 12, no. 2, Summer, 1997, pp. 50-52
Description
Curatorial notes for exhibition of same name mounted at the Winnipeg Art Gallery, January 18 to September 21, 1997.
Entire issue on one pdf. To locate article, scroll to page 50.
Inuit Art Quarterly, vol. 16, no. 2, Summer, 2001, pp. 4-10
Description
Comments on the mix of cultural experiences, the arctic way of life, and urbanization that are forming a new genre of Inuit art.
Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 8, no. 3, Fall, 1993, pp. 24-33
Description
Presents a condensed version of sessions, held for 3 days in Ottawa, in which artists describe problems of adequate supply of carving stone, mass production of "souvenir" Inuit carvings, and being involved in marketing of their art.
Entire issue on one pdf. To access article, scroll to page 24.
An image of a totem pole in a park setting. The pole in particular is artificially coloured, and may not be a realistic impression of the original artwork.
Inuit Art Quarterly, vol. 16, no. 3, Fall, 2001, pp. 30-39
Description
Study shows that non-Inuit evaluations of Inuit art are inconsistent as opposed to Inuit evaluations which are more consistent.
Entire issue on one pdf. To access article, scroll to page 30.
Inuit Art Quarterly, vol. 1, no. 3, Fall, 1986, pp. 1-5
Description
Brief overview of the acquisition policies and collections of major Canadian companies.
Entire issue on one pdf. To access article scroll down to appropriate page.
The Canadian Journal of Native Studies, vol. 9, no. 2, 1989, pp. 253-272
Description
Replication of these wooden masks, together with the continued carving and use of False Faces, has contributed to the survival and stability of the Iroquois.
Inuit Art Quarterly, vol. 13, no. 1, Spring, 1998, pp. 6-17
Description
Comments on the 17 artists, representing all regions of the Arctic, in attendance at the Pan-Arctic Women's Workshop. Includes brief profiles.
Entire issue on one pdf. To access article, scroll to page 6.
Inuit Art Quarterly, vol. 14, no. 4, Winter, 1999, pp. 40-42
Description
Curatorial notes for exhibition of the same name mounted at the Provincial Museum of Alberta, 1999.
Entire issue on one pdf. To access article, scroll to page 40.
Norman Zepp narrates introduction to unique collection of 250 works of art from the Historic, Classic and Contemporary periods. The collection includes archival material of Inuit art and artists with photographs, slides, interviews, correspondence and exhibition catalogues. Collection has been certified as Canadian cultural property recognizing the collection for its outstanding significance and national importance.
Duration:18:22.