The Night John Lennon Died
Niitsitapiisini: Our Way of Life: The Story of the Blackfoot People
"No, the Centre Should Be Invisible": Radical Revisioning of Chekhov in Floyd Favel Starr's House of Sonya
Northern Exposure
Northern Haida Master Carvers
Northwest Journal
Not All Killed by John Wayne: The Long History of Indigenous Rock, Metal, and Punk: 1940s to Present
Not Jimmie Durham's Cherokee
Notes on Becoming a Comrade: Indigenous Women, Leadership, and Movement(s) for Decolonization
Author uses her own experiences as non-Indigenous woman of color to explore the challenges in becoming an ally with Indigenous communities fight in their fight for decolonization.
[Nuussuarmiut - Hunting Families on the Big Headland: Demography, Subsistence and Material Culture in Nuussuaq, Upernavik, Northwest Greenland
Nuvisavik: The Place Where We Weave
Nuvisavik: The Place Where We Weave
Objects of Purpose - Objects of Prayer: Peyote Boxes of the Native American Church
Observations on a Case Study of Song Transmission and Preservation in Two Aboriginal Communities: Dilemmas of a 'Neo-Colonialist' in the Field
The Oconaluftee Institute for Cultural Arts
On Boundaries and Beliefs: Rock Art and Identity on the Pajarito Plateau
On Crossing Lines and Going Between: An Interview with Marjorie Beaucage
On-Screen Protocols & Pathways: A Media Production Guide to Working with First Nations, Métis and Inuit Communities, Cultures, Concepts and Stories
One Arrow Pow Wow July 12 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Hundred Words for Conquest: Curating Arctic Sovereignty at the Winnipeg Art Gallery
Outsourcing Reconciliation: The Government of Canada's #IndigenousReads Campaign and the Appropriation of Indigenous Intellectual Labor
An Overview of Case Studies of Contemporary Native American Music in Canada, the United States of America and on the Web
Oviloo Tunnillie: Life & Work
Page 5 Chatter
Article presents three different news reports: Inquiry into the investigation of serial killer Willie Pickton, the Métis Nation-Saskatchewan's 2004 election scandal, and the Great Bear Rainforest RAVE project.
Entire issue on one pdf. To access article scroll to p.5.
Page 5 Chatter
Article presents three different news reports: A television series for the Aboriginal People's Television Network (APTN), Native American veterans who were illegally taxed, and the latest proroguing of the federal government causing concerns for registration as status Indians.
Entire issue on one pdf. To access article scroll to p.5.
Painter Sought Emotional Response from Viewers
Brief article on artist Joane Cardinal-Schubert who combined the symbols of her Canadian Plains people with her own life experience, creating a history of personal and cultural significance.
Entire issue on one pdf. To access article scroll to p.30.
Painting Culture: The Making of Aboriginal High Art
Papunya Tula: Genesis and Genius
The Paradox of Sherman Alexie's Reservation Blues
Passionate Histories: Myth, Memory and Indigenous Australia
A Passionate Paper
Past, Present and Future: Photographic Presence in New Mexico
Pathways to the International Market for Indigenous Screen Content: Success Stories, Lessons Learned from Selected Jurisdictions and a Strategy for Growth
Pelagia Patchnose Rides Again (or do You Have a Reservation?)
The People Have Never Stopped Dancing: Native American Modern Dance Histories
The Performance of Body, Space, and Place: Creating Indigenous Performance
Performing Cultures: Protocols for Producing Indigenous Australian Performing Arts
Performing Musqueam Culture and History at British Columbia's 1966 Centennial Celebrations
[Performing Worlds into Being: Native American Women's Theater]
The Peyote Road: Religious Freedom and the Native American Church
A Photonarrative of Living with HIV: A Métis Woman's Experience
Applied Psychology Project (M.C.)--Athabasca University, 2010.
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