Chinook text with headings in Chinook longhand with some English. Chinook Hymns: 1. O Tloos St. Joseph; 2. Naika chako wawa; 3. O Maika Hoos J.C.; 4. Iakwa alta; 5. S.T. Tanoiz; 6. O.J.C. Nawitka; 7. Ankate Okook J.C.; 7[repeated]. Naika O.J.C.; 8. Tloos alta nsaika; 9. O Tloos Marie; 10. Kanawason O T. Mali; 11. Ookook Son Hep Tloos; 12. Na Jesus...; 13. Dret Nsaika mam este[?]; 14. S.T. iaka mamook; 15. Kopet iht S.T.; 16. namich[?] kata; 17. O Salutaris; 18. Tantum ergo; 19 and 20 titles and text entirely in Chinook shorthand.
The Face Pullers: Photographing Native Canadians, 1871-1939
Images » Photographs
Author/Creator
Charles W. Mathers
Description
Sioux Chief Sleeping Bull in warrior's clothing outside of a painted tipi near Edmonton.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Photographing Native Canadians, 1871-1939
Images » Photographs
Author/Creator
Charles W. Mathers
Description
Black and white photograph of an Indigenous woman next to a Red River Cart and horse near Edmonton. House in background.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
The Face Pullers: Photographing Native Canadians, 1871-1939
Images » Photographs
Description
Commissioner Amedee Forget with group of Indigenous Chiefs and Elders, probably at the Territorial Exhibition.
Unused photograph from The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Consists of an interview with George First Rider where he describes how campsites were chosen. He also describes traditional clothing. NOTE: Marie Waterchief, interpreter.
Consists of an interview with George First Rider as he tells about preparations for winter and briefly mentions the games children played in winter.NOTE: Marie Waterchief, interpreter.
Consists of an interview on the origins of the Holy Lodge; the story of the Holy Turnip (same story as IH-AA.020); the story of the elk woman and her jealous husband; the story of the widows who offered themselves to the sun and how these events led to the offering ceremony and then to the Holy Lodge (This account continues on IH-AA.112)
Consists of an interview with George First Rider where he gives an account of the original Holy Lodge. (It is a follow-up to IH-AA.112)Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.
Consists of an interview with George First Rider where he tells a story of the Horn Society and gives a description of Horn Society dances. Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.
File contains 17 negatives from the Indian and Metis Days Parade, Prince Albert, SK, June 20, 1970. All 17 images depict people in traditional dress on automobiles in a parade procession, presumably in downtown Prince Albert.
File contains 2 negatives from the Official opening of the Prince Albert Indian and Metis Friendship Centre, Prince Albert, Saskatchewan, June 19, 1970. Images show four officials (including one in traditional headress) cutting the ribbon to officially open the Centre.
The picture shows some Aboriginal men sitting at school desks in the foreground, with a crowded group of mainly Aboriginal people at the back of the room. The political dignitaries are not visible.
File contains 10 negatives from the Indian Metis Days Pow Wow and Sports Events held in Prince Albert, SK on June 21, 1970. All images show Pow Wow dancers in traditional dress.
"National publication for the Indians of Canada." Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record.
Articles reflect the attitudes and policies of the time.
"National publication for the Indians of Canada." Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record.
Articles reflect the attitudes and policies of the time.
"National publication for the Indians of Canada." Focus on Indigenous issues, events at residential schools and legal decisions. Previously published as Indian Missionary Record.
Articles reflect the attitudes and policies of the time.
First 5 pages same as regular Issue 134; The "Sugar Cane Tintin"; last page is typed by Father LeJeune and is a declaration of debt of "a few hundred dollars" and solicitation for support through subscriptions.
Historical note:
Photoengraving: The Indian Chiefs of British Columbia.
Consists of an interview with George First Rider where he describes the ceremonies associated with a Holy Lodge. Note: Dave Melting Tallow, interpreter. Joanne Greenwood, transcriber.
Consists of an interview with George First Rider where he gives a description of the Dog Feast and Group Smoking ceremonies. He also tells about self-mutilation as a form of offering.
There are 28 photographs of the Louis Riel Race in Saskatoon. Pictures of people running, canoeing and doing various other activities in July, 1970. fifteen of these pictures were selected and scanned for the database.
On information card: (L-R) Leo Satoksky - left (clerk) DNA, Luke Essaluk - center (clerk) DNA, Ches. Russell - right (hotel) at Hudson's Bay Co. store". Rankin Inlet, N.W.T.
The Face Pullers: Photographing Native Canadians, 1871-1939
Images » Photographs
Author/Creator
Frederick Steele
Description
Black and white photo of Indigenous man, "Black Plume" , wearing embroidered coat and holding ceremonial stick.
From the book The Face Pullers: Photographing Native Canadians, 1871-1939 by Brock Silversides.
Consists of an interview with George First Rider where he tells the story of a medicine man named Bear Hat (later renamed Curlew). He tells how Bear Hat was revived after serious injury and how Bear Hat healed a young man wounded in a battle.
Consists of an interview with George First Rider where he tells the story of a boy given supernatural powers by the bears and of his subsequent success as a healer of his own wounds and those of other people or animals.
File contains a negative from a ceremony held in Prince Albert, Saskatchewan by the Urban Indian Association to honour graduates on May 2, 1970. Image shows men receiving diplomas on stage.