2016 Report and Recommendations and Government of Alberta Response
Aboriginal Arts & Stories
Aboriginal Children's Hurt & Healing (ACHH) Initiative: First Nation Community Health Video
Aesthetics of Indigenous Affinity: Traveling from Chiapas to Palestine in the Murals of Gustavo Chávez Pavón
apihkêw (s/he braids, s/he weaves, s/he knits)
Archival Photographs in Perspective: Indian Residential School Images of Health
Arctic Rock Cod
'Arke-Typical': Dialogues in Art, Anthropology and the Writing of Self in the Work of Pia Arke
Artist's Statement: Indigenous Collage
Arts of Engagement: Taking Aesthetic Action in and beyond the Truth and Reconciliation Commission of Canada
Authentic First Peoples Resources: K-9
Barry Pottle's Photography Explores Inuit Objectification by ID Tags
The Basketmaker
Beads: Symbols of Indigenous Cultural Resilience and Value
Beads, they're sewn so tight: Resource Guide
Developed in conjunction with an exhibition featuring works by Bev Koski, Katie Longboat, Jean Marhsall, and Olivia Whetung.
Beyond a Number: Inuit Photo Exhibit Brings Controversial 'Eskimo' I.D. System to Light
Bird-Sings-Different: The Beadwork of Emma Last Star
Branding The American West: Paintings and Films, 1900-1950
"But They Were Never Only the Master's Tools": The Use of Photography in De-colonial Praxis
Called to Learn, Act, and Reflect through Indigenous Teachings and Experiential Mathematics for Catholic Educators
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Classic Salish Twined Robes
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Coming in Stories: Taking Our Place: Two Spirit in Saskatchewan
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Copper Thunderbird
Counter-Narrative: Brandon Gabriel on Becoming a Visual Storyteller and the Power of Decolonial Art
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crow Style Bridle Ornament
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Cultural Passport: Demystifying Traditional Indian Music
and Art
Culturally Responsive Computing for American Indian Youth: Making Activities with Electronic Textiles in the Native Studies Classroom
Curator's Choice: Harpoon Counterweight
Curator's Choice: Papiara Tukiki and Saimaiyu Akesuk
A Curious Clay: The Use of a Powdered White Substance in Coast Salish Spinning and Woven Blankets
The Dawn of Translation
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Decolonizing Indigenous Youth Studies: Photography and Hip Hop as Sites of Resilience
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.
Decolonizing the Medium: How Indigenous Creators are Defying "Sidekickery” and Centering Indigenous Stories and Characters in the Comics Landscape
Disposable Red Woman: Guerrilla Art
E.-A.: Freestyle Looming and Probability: Grade 12 Foundations of Math
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.
E-D.2: Quadrilateral Patterning through Indigenous Beading: Grade 5
Teacher-created lesson plan developed in conjunction with the McDowell Foundation project Culture-Based School Mathematics for Reconciliation and Professional Development.