Chief Bruno meeting with councillors [of the Carrothers Commission] at Rae, N.W.T. which was studying the future directions of government in the Northwest Territories.
Traces Chief Lelooska’s artistic development as a carver and describes the ways in which Northwest Coast Indian art and cultural tradition were conveyed to people living in or visiting the region during the twentieth century.
The congregation outside the Anglican church in the community of Apex at Frobisher Bay, N.W.T. [NU]. In 1987 the community of Frobisher Bay was renamed Iqaluit.
Decolonization, vol. 3, no. 1, Indigenous Art, Aesthetics and Decolonial Struggle, 2014, pp. 48-72
Description
Examines how an Inuit photographer and filmmaker have attempted to dispel common stereotypes about the Inuit people and preserve and enhance Inuit culture.
Aboriginal Concerns: Self-Government, Nunavut, Repatriation, Representation, and Aboriginal Media
E-Books » Chapters
Description
Book based on presentations given at a colloquium of the same name. Part V contains Aboriginal content.
To access chapter, scroll down to appropriate page.
Chapter 36: Converging or Diverging Pathways to Aboriginal Self-Determination? Indigenous Peoples, Self-Government, and the Federation by Frances Abele and Michael J. Prince. (p.443)
Chapter 37: Keynote Address on Nunavut: Convergence and Divergence in North America: Canada and the United States by Donat Savoie. ( p.
IK: Other Ways of Knowing, vol. 1, no. 2, 2015, pp. 98-111
Description
Looks at two groups photographed and interviewed for the project: First Nations youth from Calgary, Alberta and Te Ora Hou, a Maori youth organization in Christchurch, New Zealand.
Book review of: Country of the Heart by Deborah Bird Rose with Nancy Daiyi, Kawthy Deveraux, Margaret Daiyi, Linda Ford and April Bright.
Scroll down to page 193 to read review.
Focuses on the methodological challenges and accomplishments associated with project entitled Visualizing Breast Cancer.
Chapter 13 in the book Doing Cross-Cultural Research: Ethical and Methodological Perspectives edited by Pranee Liamputtong.
Features portraits of Indigenous subjects painted by George Catlin, who traveled the United States during the 1830s to capture images of the "vanishing race". Includes biographical information, excerpts from his writings, general historical information and exercises to teach students to think critically about the works and the stereotypes found in them. Compares his portraits to photographs taken by Edward S. Curtis in the early 1900s.
Curator: The Museum Journal , vol. 39, no. 2, 1996, pp. 108-122
Description
Discusses the tribe's past resistance to having spiritual ceremonies photographed and their current efforts to restrict access to sensitive material held in museum collections.