Cultural Survival Quarterly, vol. 37, no. 1, The Electronic Drum: Community Radios Role in Indigenous Language Revitalization, March 2013, p. [?]
Description
Brief interview provides some insight into artist's work that pushes the boundaries of contemporary art by challenging the perceptions of Indigenous art.
American Indian Culture and Research Journal, vol. 12, no. 4, 1988, pp. 17-37
Description
Chronicles the changes of unique forms of dress using seven periods within the study time frame, including paintings up to 1857 and after that, photographs.
Short film, composed entirely of children's drawings, illustrates life at Christmas time in an old settlement on the shore of James Bay.
Duration: 13:08.
Dynamics of Canada: Studying Canada's Past and Current Realities
European Seminar for Graduate Students in Canadian Studies ; 16th
E-Books » Chapters
Author/Creator
Rose Álamo
Description
Focuses on the story Ucluelet and the painting Indian Church.
Excerpt from Dynamics of Canada: Studying Canada's Past and Current Realities edited by Keith Battarbee and Mélanie Buchart.
Entire volume on one pdf. To access this paper scroll to p. 139.
Cultural Geographies, vol. 9, no. 2, 2002, pp. 202-247
Description
"This paper explores the relationships between landscape and power, colonialism and its aftermaths, and state territoriality and its contestation, in the work of two popular Northwest Coast landscape painters: Emily Carr and Lawrence Paul Yuxweluptun".
Looks at the process of storywork which interweaves elder teachings, cultural stories, and personal experiences.
Chapter 15 from How Canadians Communicate IV: Media and Politics edited by David Taras and Christopher Waddell.
Chapter located by scrolling to page 317 or clicking on Chapter 15 on left sidebar.
American Quarterly , vol. 62, no. 2, June 2010, pp. 387-394
Description
Book reviews of: The National Museum of the American Indian: Critical Conversations edited by Amy Lonetree and Amanda J. Cobb.
Fritz Scholder: Indian/Not Indianedited by Lowery Stokes Sims, Truman T. Lowe and Paul Chaat Smith.
George De Forest Brush: The Indian Paintings edited by Nancy K. Anderson.
Journal of American Institute for Conservation, vol. 38, no. 1, 1999, pp. 45-54
Description
Analysis of the two paintings uses evidence to formulate a hypothesis as to why the artist, Albert Biestadt painted two versions and in what order they were painted.
Studies in American Indian Literatures, vol. 26, no. 3, Fall, 2014, pp. 41-61
Description
Analysis of genre which manipulates Japanese manga and Haida art to reflect a balance in both art and life.
Entire issue on one pdf. To access article, scroll to page 41.
Speaker uses examples from the Museum of Anthropology, University of British Columbia to illustrate talk which focuses on federal government's involvement in creation and marketing of Inuit art.
Duration: 1:13:11.
Luminary, no. 6, Visualizing Fantastika, Summer, 2015, p. [?]
Description
Looks at a superhero team storyline set in Northern Ontario which underscores how the characters can provide real-life negotiations of American, Canadian and Indigenous identity.
Features portraits of Indigenous subjects painted by George Catlin, who traveled the United States during the 1830s to capture images of the "vanishing race". Includes biographical information, excerpts from his writings, general historical information and exercises to teach students to think critically about the works and the stereotypes found in them. Compares his portraits to photographs taken by Edward S. Curtis in the early 1900s.