Great Plains Quarterly, vol. 31, no. 2, Spring, 2011, pp. 105-123
Description
Looks at Poolaw's technique of dramatically posing subjects which he gained through film-making experience and provides an overview of various photographs taken.
Inuit Art Quarterly, vol. 15, no. 2, Summer, 2000, pp. 4-16
Description
Discusses, in part one of a three-part series, the aesthetic and logic of early still photography in the Arctic.
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Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 4-11
Description
Looks at the special type of photojournalism developed by Inuit in Nunavik and the profiles and works of independent photographers.
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Access Part Two
Entire issue on one pdf. To access article, scroll to page 4.
Inuit Art Quarterly, vol. 15, no. 3, Fall, 2000, pp. 4-15
Description
Looks at the work of two photographers who deal with the same topic and geographical region but with radically different results.
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Entire issue on one pdf. To access article, scroll to page 4.
Eagle Feather News, vol. 14, no. 6, June 2011, p. 19
Description
Comments on a group working to help women escape from abuse and poverty by offering a support system that includes meeting weekly to learn moccasin making and traditional beading.
Article located by scrolling to page 19.
Canadian Journal of Native Studies, vol. 20, no. 1, 2000, pp. 197-229
Description
Book review of:
kwayask-ê-kî-pê-kiskinowâpahtihicik: Their Example Showed Me the Way translated and edited by Freda Ahenakew and H. C. Wolfart.
A Little Matter of Genocide: Holocaust and Denial in the Americas: 1492 to the Present by Ward Churchill. Incorporating the Familiar: An Investigation into Legal Sensibilities in Nunavik by Susan G. Drummond. The Indian History of British Columbia: The Impact of the Whiteman by Wilson Duff.
Museum Anthropology, vol. 24, no. 1, Spring/Summer, 2000, pp. 14-25
Description
Discusses the missionary's influence on the arts and his role in the creation of the Povungnituk Sculptures Society and La Fèdèration des Coopèratives du Nouveau Quèbec.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 43-45
Description
Curatorial notes for an exhibition of the same name mounted at the Head Museum of Native Culture and Art, Arizona, 2000.
Entire issue on one pdf. To access article, scroll to page 43.
Anglican Journal, vol. 126, no. 2, February 2000, p. 1
Description
Canadian Museum of Civilization exhibition includes work by Tsimshian artist Roy Henry Vickers of British Columbia and Inuit printmaker Pudlo Pudlat of Cape Dorset.
Discusses the artifacts and traditions of Coast Salish Aboriginal people through the presentation of documents, archaeological collections, archival photographs and oral histories.
Three artists who participated in the exhibition Tipi: Heritage of the Great Plains discuss the relationship between their culture, personal lives, and their work.
Duration: 1:59:05.
Speaker uses examples from the Museum of Anthropology, University of British Columbia to illustrate talk which focuses on federal government's involvement in creation and marketing of Inuit art.
Duration: 1:13:11.
Eagle Feather News, vol. 14, no. 9, September 2011, p. 14
Description
Comments on the many interactive cultural activities to be held around the country including Saskatchewan.
Article found by scrolling to page 14 and 15.
Inuit Art Quarterly, vol. 15, no. 4, Winter, 2000, pp. 46-47
Description
Curatorial notes for exhibition of the same name mounted at the Carleton University Art Gallery, Ottawa, 2000.
Entire issue on one pdf. To access article, scroll to page 46.
Commercial site of the Tlingit artist. Includes links to the artist's statement, information selected pieces, exhibitions, bibliography of locations of artworks as well as items for sale.
Records in the Margaret Baker fonds collection tell the story of the development of the Wahpeton reserve and Lucy Baker's activities as a missionary teacher. Reflects stereotypical views of the time.