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Arsene Fontaine Interview #1
An Arts-Based Curriculum Encounter: What Does It Mean to Live on This Land?
"Authenticity" and the Contemporary Northwest Coast Indian Art Market
[Book Reviews]
"Buffalo Bill" and the Siouan Image
Ceremonial Robes of the Montagnais-Naskapi
Chasms and Collisions: Native American Women's Decolonial Labor
Clara Pratt Interview #2
Contemporary Indigenous Arts in the Classroom
Decolonizing Hydrosocial Relations: The River as a Site of Ethical Encounter in Alan Michelson's TwoRow II
Edith Tasse Interview
Elsie Gattie Interview
Equality
Eva Owl Interview #1
From Sea to Sea to Sea: Celebrating Indigenous Picture Books
Giving Life to the Truth: Indigenous Art as a Pathway to Archival Decolonization
Haa Léelk'w Hás Ji.Eetí, Our Grandparents' Art: A Study of Master Tlingit Artists, 1750-1989
Honouring: Project of Heart / Speaking to Memory
Iconography in the portraiture of Joseph Brant, 1742-1807
Art History Thesis (MA) -- Concordia University, 1983.
Image-based Storytelling: A visual Narrative of My Family’s Story
A series of paintings and text written by the artist narrate pieces of her father’s story, and through the narrative offer a comparison of Dene and Western world-views and understandings of well-being. Journal has reversed the text of the third and fourth paintings.
Indian and Metis Friendship Centre Race Relations Conference
Indian Summer: Reclaiming and Revitalizing Native American Identity through Art
James Ratt: Lots Of Changes In 50 Years Of Trapping
Jane McKee Interview
John McKay: The Man From Birch Rapids
Josephine Beaucage Interview #1
Long Walk participants in front of Correctional Centre
Lydia Somers Interview
Made with Love: Tracing Personal and Cultural Resilience in Annie Pootoogook’s Drawings
Art History Major Research Paper (M.A) - Ontario College of Art & Design University, 2018.
Mark Wolfleg Sr. Interview
Metis Assembly Press Conference
Norman Nashkawa Interview
Northwest Coast: Educator Resource Guide
Lessons structured around items from the Seattle Museum of Art's collection.
Norval Morrisseau: Recent Work
Painting Native America in Public: American Indian Artists and the New Deal
Painting You, Painting Me: Viewing the 'Other' through Gendered-Violence against Indigenous Women and Girls in Kent Monkman's "Shame and Prejudice: A Story of Resilience"
Religion Master's Essay (M.A) -- Queen's University, 2018.
Performing Archive: Curtis + "the vanishing race"
Picking Up the Pieces: The Making of the Witness Blanket
Potlatch 67-67: Then and Now
Catalogue for exhibition held to mark the 67th anniversary of the lifting of the Potlatch ban.
Related material: Lesson Plan.
Rachel Robinson Interview
Report on the Impact of Inauthentic Art and Craft in the Style of Frist Nations Peoples
Representations of Missing and Murdered Indigenous Women in Canadian Art
Resilience
Rethinking Image and Narrative at the Heart of Empire: Notes from Indigenous London
Presenter discusses how there has been a record of an Indigenous travelers to London dating as far back as 1502, which debunks the common attitude that Indigenous peoples and urbanity and modernity are mutually exclusive.
Duration: 48:36
Robert Houle: Life & Work
Rock Paintings: A Key To The Past
Speaking Our Truth: A Journey of Reconciliation: Teachers' Resource Guide
For use with the book by Monique Gray Smith. Includes summary, essential questions, key concepts, vocabulary and learning activities for each chapter of book. Recommended for ages 9-13.
The Time of Things: The Continuum of Indigenous Customary Practice into Contemporary Art
Catalogue for exhibition of the same name which featured works by Daphne Boyer, Maureen Gruben, Susan Pavel, Skeena Reece, and Marika Echachis Swan.