Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Claiming Space: Voices of Urban Aboriginal Youth
[Closing Remarks and Songs]
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
Coded Territories: Tracing Indigenous Pathways in New Media Art
Collaborating for Indigenous Rights 1957-1973
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Collector's Choice: Samonie Toonoo
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Constructing a Sami Cultural Heritage: Essentialism and Emancipation
Contemporary Art Curating and Its Long Christian Shadow
[Content and Analysis in Native Art: Moving Past Form and Function, Part 1]
[Content and Analysis in Native Art: Moving Past Form and Function, Part 2]
Contentious Art: Disruption and Decolonial Aesthetics
Contesting Tradition: Inuk Vocalist Tanya Tagaq
Control Mapping: Peter Pitseolak and Zacharias Kunuk on Reclaiming Inuit Photographic Images and Imaging
Coping With Arsenic-Based Pesticides on Diné (Navajo) Textiles
Coranderrk: We Will Show the Country
Country of the Heart: An Indigenous Australian Homeland
Cracking the Glass Ceiling: Contemporary Inuit Drawing
Creating a Haida Manga: The Formline of Social Responsibility in Red
Cree Language Resources: An Annotated Bibliography
A Critical Reading of Aloha and Visual Sovereignty in Ke Kulana He Māhū
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Cultivating Territories and Historicity: The Digital Art of Skawennati
Cultural Appropriation vs. Appreciation
Designed as a brief introduction to the issues for educators.
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Curator's Choice: Gilbert Hay
Curator's Choice: Life Writing
Curbing Cultural Appropriation in the Fashion Industry
Custodians of the Past: Archaeology and Indigenous Best Practices in Canada
The Cuthlasco of the Long Narrows: An Historical, Stylistic, and Functional Analysis of Mountain Sheep Horn Bowls and Ladles
Dance With Us As You Can ... : Art, Artist, and Witness(ing) in Canada's Truth nd Reconciliation Journey
(De)constructing the White Man's Indian in James Welch's Fools Crow and Disney's The Lone Ranger
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Decentering Durham
Decolonization through Collaborative Filmmaking: Sharing Stories from the Heart
Decolonizing Museums: Representing Native America in National and Tribal Museums
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.