Celebrating Indigenous Languages
A Celebration of Life: The Art of Gordon Yellowman
Challenging Tradition, Challenging Pop Art: Sonny Assu
A Chapter Closed?
Charles Edenshaw and Melting Glaciers
Chasing Shakespeare
Christian Motifs in Pacific Northwest Coast Native American Art
Chronology [Charles Edenshaw Exhibition]
Cinematic Representation of American Indians: A Critical Cultural Analysis of a Contemporary American Indian-Directed Film
Circulating Regalia and Lakhˇóta Survivance, c. 1900
Looks at the history of two examples of regalia that traveled to France; one with a performer in Buffalo Bill's Wild West show in 1889 and the other worn by a performer at the Jardin d'Acclimation (a human zoo) in Paris in 1911.
Closing the Gap: Ethics and the Law in the Exhibition of Contemporary Native Art
[Coast Salish Art in the 21st Century]
The Coast Salish: Connecting Art, Environment and Traditions
Collective Memory in Transition: Macdonald, Cornwallis and Statue Removal in Canada
Art History Thesis (M.A) -- Queen's University, 2019.
Commercialization and Marketing of Women’s Indigenous Knowledge Products: A Case Study of Maasai Body Ornamental Products in Arusha, Tanzania
Communities of Access: Examining Emerging Geographies of Inuit Art in Canada Through the Lens of the Winnipeg Art Gallery’s Inuit Art Centre and Kenojuak Cultural Centre and Print Shop
The Concept of Duality in Culture and Myths of Lakota Indians
Concrete (Indian) Futures: In Conversation with Nadya Kwandibens - Andrea Zeffiro
Contemporary Art Curating and Its Long Christian Shadow
Contemporary Native North American Art in the British Museum
Contemporary North Carolina American Indian PowWow Dress: An Exploration of Tradition, Culture, and Identity
Conveying Traditional Indigenous Culture: From Ethnographic Film to Community-Based Storytelling
Cracking the Glass Ceiling: Contemporary Inuit Drawing
The Crazy Horse Memorial: A Study of a Sacred and Contested Landscape
Creating for Culture: Edenshaw's Haida Roots and Cultural Transformations
Cree Language Resources: An Annotated Bibliography
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: Indian Gallery
Cross-Curricular Connect: The Last of the Buffalo
Resource uses the painting by Albert Bierstadt to teach close reading skills, allegory and the importance of wildlife conservation. Includes links to interactive puzzle, team-building game, sorting activity, game-based art survey and inquiry study.
Crowns of Honor Sacred Laws of Eagle-Feather War Bonnets and Repatriating the Icon of the Great Plains
Cultural Appropriation vs. Appreciation
Designed as a brief introduction to the issues for educators.
Cultural Climate Change: A History of Aboriginal Arts Organizations in Toronto, 1970-2010
Cultural imPRINT: A History of Northwest Coast Native and First Nations Prints
Cultural Property Acquisitions: Navigating the Shifting Landscape
A Cultural Snapshot: Exploring the Value of Community Photography for the Coquille Indian Tribe in a Climate Change Era
Culturally Modified Capitalism: The Native Northwest Coast Artware Industry
Curator Q&A: How Indigenous Art Took Centre Stage in Sakahàn
Curbing Cultural Appropriation in the Fashion Industry
Custodians of the Past: Archaeology and Indigenous Best Practices in Canada
Da.A.XIIGang, Charles Edenshaw, "Master Carpenter"
Dance With Us As You Can ... : Art, Artist, and Witness(ing) in Canada's Truth nd Reconciliation Journey
Dancing to Say "Mahalo": Bazaar Artist Kumu Kawika Alfiche
Deaconess Winifred Hilliard and the Cultural Brokerage of the Ernabella Craft Room
Debating Cultural Appropriation
Lesson plan focuses on what cultural appropriation is, how it affects Indigenous peoples and whether it should be regulated by law.
Accompanying Material: Student Version.
Developed in conjunction with the documentary Rumble: The Indians Who Rocked the World.
Decentering Durham
Decolonization through Collaborative Filmmaking: Sharing Stories from the Heart
Decolonizing Cultural Heritage of Indigenous People's Knowledge From Images in Global Films
Decolonizing Nunavut's Art Market
Art History Thesis (PhD) - York University, 2019.