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Governor of the Dew by Floyd Favel and The Velvet Devil by Andrea Menard: Study Guide
Grabill Collection
Grand Hall - [Pacific Coast Aboriginal Culture]
The Great Winter Dance
Primarily the story Lake Tribe's Song of Today. Suitable for use with elementary school students.
The Gwich'in Traditional Caribou Skin Clothing Project: Repatriating Traditional Knowledge and Skills
Harry Teseuke, Captain Comer's Mate: Historic Ivories at the Canadian Museum of Civilization, Part II
`Hostiles': The Lakota Ghost Dance and the 1891-92
Tour of Britain by Buffalo Bill's Wild West [Two volumes]
I Dream of Yesterday and Tomorrow: A Celebration of the James Bay Cree
imagineNATIVE Film and Media Arts Festival
Independent Aboriginal Filmmakers Organize
Outlines the various problems encountered in forming the Aboriginal filmmakers group.
Entire issue on one pdf. To access article scroll to p.9.
The Inmates Are Running the Asylum [Professor Stymied by Students' Refusal to Audition for a Production of the Rez Sisters]
Examines the reasons why a western Canadian Fine Arts university professor was unable to convince members of his class to audition or act in a First Nations play.
Entire issue on one pdf. To access article scroll to p.3.
Inuit Art: 1950-2000
The Inuit Art Foundation
Iqqaipaa: Celebrating Inuit Art 1948-1970
Keeping the Fire Alive
Keeping the Fire Alive
Kichi Sibi
Lesson No. 1: Shed Your Indian Identity
Living Traditions: Museums Honour the North American Indigenous Games
Manitoba Arts Council
Manufacturing Assimilation: Photographs of Indian Schools in Arizona
Metis Women's Traditional Art Series
Four videos discuss history and techniques of finger weaving, embroidery, rug-making, and beadwork.
Missing Artifacts Lead to Auditor General's Scrutiny
Anthropology Museum of the University of Winnipeg failed to follow appropriate protocols and procedures for repatriation of artifacts.
Entire issue on one pdf. To access article scroll to p.7.
Most Striking of Objects: The Totem Poles of Sitka National Historical Park
Moving Toward the Circle of Prosperity: the Cyber-Journey
Musqueam Weavers: Musqueam Weaving Through The Personal Stories of Weavers
Nekaneet Gathering: Second Annual First Nation International Healing and Medicines Gathering
New Media Cultures: Protocols for Producing Indigenous Australian New Media
Northern Haida Master Carvers
Northwest Journal
Nuna Parr: A Hunter's Perspective
Nuvisavik: The Place Where We Weave
Ohito Ashoona
On Crossing Lines and Going Between: An Interview with Marjorie Beaucage
One Arrow Pow Wow July 12 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.One Arrow Pow Wow July 13/14 2002. - Slide.
Historical note:
One Arrow Cree First Nation signed Treaty 6 on September 6, 1878; while the One Arrow Reserve is located 53 km southwest of Prince Albert, the band has a total of 9,331.4 ha surrounding the South Saskatchewan River. This band settled on its reserve late in the autumn of 1880, in what was considered a fine location to begin agricultural development. As the chief was old, a headman by the name of Crowskin was in charge of the band in 1882, and contributed much to its development.