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The 1992 Turtle Dance (Oekuu Shadeh) of San Juan Pueblo: Lessons with the Composer, Peter Garcia
All the World's a Stage: The Nineteenth Century Kwakwaka'wakw (Kwakiutl) House as Theater
Almost 50 Years of Inuit Art Exhibitions
[Anishinabee Colouring Sheets]
Six pages are images from Sacred Feminine and IKWE colouring books.
Annie Pootoogook: Life & Work
Anthropology, Art and Contest
Any Important Form: Louis Riel in Sculpture
Architecture as a Living Process: Lecture
Art, Activism and the Creation of Awareness of Missing and Murdered Indigenous Women and Girls (MMIWG); Walking with Our Sisters, Redress Project
Art Shaped by the North: Gary Natomagan
Artist Henry Beaudry
A Balancing Act: The Canonization of Tomson Highway
Balancing History
Created to be used with the article Warp, Weft, Weave: Joining Generations published in vol. 53, Issue, 3, 2020 of British Columbia History magazine. Designed for students in Grades 8 to 12.
Basketmaking Guides and the Appropriation of Indigenous Basketry
Behind the Exhibit: Exploring the Processes of Indigenous Rights
Representation at the Canadian Museum for Human Rights
The Best of the Best in Native Arts: Part 2
Examines plays both published and unpublished.
Entire issue on one pdf. To access article scroll to p.10.
The Best of the Best in Native Arts [Part I]
Choices in the categories of art, literature, poetry, political works, and music.
Entire issue on one pdf. To access article scroll to p.9.
Between Lines and Beyond Boundaries: Alootook Ipellie's Entanglements of Space
Examines the work of activist Alootook Ipellie to show how it reflects Inuit perspectives on housing, animals and land.
Blackstone Singers Win Contemporary World Championships
Blanket Coats of the Blackfoot First Nations in the Late Nineteenth and Early Twentieth Centuries: An Analysis of Museum and Archival Collections
Book Review
Book Review
Book Reviews
Book Reviews
Bowwow Powwow
Lesson plan for book written by Brenda J. Child and illustrated by Jonathan Thunder. Designed for Pre-K to Grade 2.
Bridging the Social Distance between Indigenous and Newcomer Youth during the COVID-19 Pandemic: An Exploration of Identities and Relationship Building through Online and Arts-based Methods
CCCA Canadian Art Database
"Charlie Brown": Not Just Another Essay on the Gourd Dance
Commemorating Father Pandosy: Diversification of the Frontier Cultural Complex and Continued Colonial Erasure in Kelowna
Commemorating John A. Macdonald: Collective Remembering and the Structure of Settler Colonialism in British Columbia
Cover Artist: Lorne Cappo
Crossroads: A Conversation with Sherman Alexie
Culture Inspires Art: Featuring First Nations, Métis, and Inuit Artists
A Curated Selection of Martha Tickie's Work
A Curated Selection of Mary Yuusipik's Work
Curator's Choice: Noah Echalook and Simeonie Elijassiapik
The Dance of the Passamaquoddy: A Cultural Study of the Passamaquoddy Tribe Portrayed through the Metaphor of Traditional Dance
Daphne Odjig: Indigenous Art and Contemporary Curatorial Practices
Desert Voices: Pitjantjatjara Women's Art and Craft Production in Ernabella, South Australia
Developing Indigenous Visual Arts Transnationally and Across Genres
Diane Bell, the Ngarrindjeri and the Hindmarsh Island Affair: 'Value-free' Ethnography
A Dissonant Education: Marching Bands and Indigenous Musical Traditions at Sherman Institute, 1901–1940
Drawing Identities: An Ethnography of Indigenous Comic Book Creators
Educator Information: To Honor & Comfort Native Quilting Traditions
An Elder's View of Powwow
Eli Nasogaluak: "I Try to Produce Work That Shows a lot of Action and Strength"
Empowering Inuit Women in Community-Based Economic Development
The Essay: Decolonizing History Painting
Excerpt from Revision and Resistance: mistikôsiwak (Wooden Boat People) at The Metropolitan Museum of Art discusses the diptych created by Kent Monkman.