American Indian Quarterly, vol. 27, no. 3, Urban American Indian Womens Activism, Summer/Fall, 2003, pp. 583-592
Description
Describes how through the Alaska Federation of Natives (AFN) crafts fair women are adjusting to urban living and that the fair, in addition to the money, is a place where social bonds are created and women learn to feel more empowered.
The Journal of American History, vol. 90, no. 2, September 2003, pp. 748-749
Description
Review of website: Images of Native Americans created and maintained by the Bancroft Library at the University of California, Berkeley.
All website reviews on one document. To access review, scroll to page 748.
Art Journal, vol. 51, no. 3, Recent Native American Art, Fall, 1992, pp. 66-73
Description
Author comments on the exhibition mounted by the Canadian Museum of Civilization in 1992 and issues concerning the Aboriginal artistic community in general, such as being the subject or object, rather than the observer.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 83-85
Description
Review of the Leonora Carrington: The Mexican Years, 1943-1985 exhibit organized by Holly Barnet-Sanchez, essay by Whitney Chadwick, interview by Paul de Angelis, chronology by Salomon Grimberg. The Exhibition was in the Mexico Museum of San Francisco, December 11, 1991 to March 8, 1992.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 36-43
Description
Author looks at how contemporary artists have incorporated aspects of the dominant culture into their works and transformed such elements to suit their purposes.
Art Journal, vol. 51, no. 3, Fall, 1992, pp. 74-80
Description
Discusses the case of Jimmie Durham and the 1990 Indian Arts and Crafts Act that specified what can be represented as Indian art and who is eligible to produce these works.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn, 1992, pp. 74-80
Description
Discusses the Indian Arts and Crafts Act of 1990 (United States) and the artist's response, as illustrated in his art, is that "authenticity" is another concept designed to keep Native Americans enclosed in "their world" through a label imposed by Euro-Americans.
Art Journal, vol. 51, no. 3, Recent Native American Art, Autumn 1992, pp. 59-65
Description
Surveys works of contemporary artists including: Gerald McMaster, Lawrence Paul, Shelley Niro, Bill Powless, Jane Ash Poitras, and Joanne Cardinal-Schubert.
Western Folklore, vol. 62, no. 3, Summer, 2003, pp. 228-230
Description
Book review of: Karl Bodmer's Art: The Newberry Library Bodmer Collection by W. Raymond Wood, Joseph C. Porter, and David C. Hunt, Reimagining Indians: Native Americans Through Anglo Eyes, 1880-1940 by Sherry L. Smith, Selling the Indian: Commercializing and Appropriating American Indian Cultures edited by Carter Jones Meyer and Diana Royer.
Canadian Art, vol. 20, no. 2, Summer, 2003, p. [?]
Description
Listing of the sites and installation dates as well as brief information on the artists participating in this exhibition held in Barrie, Ontario and sponsored by the MacLaren Art Centre.
Museum Anthropology, vol. 16, no. 1, February 1992, pp. 29-43
Description
Assesses two major museum exhibits as individual projects and as illustrations of broader issues concerning the representation of Native Americans: Objects of Myth and Memory: American Indian Art at the Brooklyn Museum and Chiefly Feast: The Enduring Kwakiutl Potlatch at the American Museum of Natural History.0892-8339
Scandinavian Studies, vol. 75, no. 2, The People of Eight Seasons: The Sámi and Their Changing Culture, Summer, 2003, pp. 181-200
Description
Looks at Nickula's portrayal of the Skolt people in The Skolt Lapp Community Suenjelsijd During the Year 1938 and Lappish Nation and Alariesto's art which depicted Lapland.