Third Text, vol. 27, no. 1, Contemporary Art and the Politics of Ecology, January 2013, pp. 17-28
Description
Discusses how several Aboriginal artists have incorporated the traditional worldview, in which everything is animate, into their modern works. Highlights Jimmie Durham, Rebecca Belmore, Jolene Rickard, and Will Wilson.
Museum Anthropology, vol. 36, no. 2, September 2013, pp. 113-127
Description
Looks at works by Michael Nicoll Yahgulanaas who infuses Haida form lines, ideas, and oral histories with Manga, a Japanese genre of cartoon illustration.
Museum Anthropology, vol. 36, no. 1, April 2013, pp. 18-32
Description
Critiques the two exhibitions Gifts from the Ancestors: Ancient Ivories of Bering Strait and Living Our Cultures, Sharing Our Heritage: The First Peoples of Alaska in terms of their success as cross-cultural collaborations.
Museum Anthropology, vol. 36, no. 1, April 2013, pp. 4-17
Description
Examines issues surrounding the controversial series of paintings which depict murdered and missing women (predominately Aboriginal) from Vancouver's Downtown Eastside.
American Indian Culture and Research Journal, vol. 12, no. 3, 1988, pp. 85-143
Description
Book reviews of:
The Trickster of Liberty: Tribal Heirs to a Wild Baronage by Gerald Vizenor.
Nairne's Muskhogean Journals: The 1708 Expedition to the Mississippi River edited by Alexander Moore.
The Adventures and Sufferings of John R. Jewitt, Captive of Maquinna annotated and illustrated by Hilary Stewart.
A Creek Warrior for the Confederacy: The Autobiography of Chief G. W. Grayson edited by W. David Baird.
Native American Baskertry: An Annotated Bibliography complied by Frank W.
Social Science & Medicine, vol. 91, August 2013, pp. 210-218
Description
Two broad themes emerged: factors that limited mobility within neighbourhoods, including perceptions of health/safety threats or barriers, and factors which limited movement in the larger city.
American Art Journal, vol. 20, no. 4, 1988, pp. 2-33
Description
Discusses chalk and water colour images of Indian visitors to Washington, D.C., which are among the earliest and most accurate interpretation of Plains Indians by a non-Indian artist.
Journal of Material Culture, vol. 18, no. 2, June 2013, pp. 93-116
Description
Looks at artwork made for a specific location and then dismantled and relocated to other areas. Focuses on Michael Nicoll Yahgulanaas's site specific artwork in Pedal to the Meddle commissioned for the exhibition, Meddling in the Museum: Michael Nicoll Yahgulanaas. His art uses Haida formlines, ideas and oral history mixed with manga, the Japanese genre of cartoon and comic illustration.