American Indian Culture and Research Journal, vol. 32, no. 3, 2008, pp. 177-231
Description
Book reviews of 18 books:
Before the Country: Native Renaissance, Canadian Mythology by Stephanie McKenzie.
Beyond Red Power: American Indian Politics and Activism Since 1900 edited by Daniel M. Cobb and Loretta Fowler.
The Head in Edward Nugent's Hand: Roanoke's Forgotten Indians by Michale Leroy Oberg.
How Choctaws Invented Civilization and Why Choctaws Will Conquer the World by D. L. Birchfield.
I Swallow Turquoise For Courage: Poems by Hershman R. John.
Long Journey Home: Oral Histories of Contemporary Delaware Indians edited by James W.
American Indian Quarterly, vol. 5, no. 1, A Special Symposium Issue on Leslie Marmon Silko's , 1979, pp. 47-62
Description
An analysis of the "tripratate" structural design of Silko's novel and how it places the hoop dance ceremony at the heart of the story despite the ritual only appearing in the middle of the novel.
Canadian Journal of Native Education, vol. 31, no. 1, 2008, pp. 311-317
Description
Author shares a mnemoic pictograph, symbolic of a dream, with the audience at an American Educational Research Association (AERA) annual meeting held in Chicago in May 2007.
American Indian Quarterly, vol. 32, no. 4, Fall, 2008, pp. 547-548
Description
Book review of: Landscape Travelled by Coyote and Crane: The World of the Schitsu'umsh (Coeur d'Alene Indians) by Rodney Frey in collaboration with the Schitsu'umsh.
Looks at selected digital stories, from the Omushkegowuk area in Ontario, to show the dissonance experienced by Aboriginal peoples resulting from the exploitation of western colonial influence.
Journal of the Fantastic in the Arts, vol. 19, no. 2, 2008, pp. [204-223]
Description
Discusses theme of "Indian" versus "White" identities, intertwining of real-world setting with mythology, and the juxtaposition of biblical and Aboriginal creation stories.
American Indian Quarterly, vol. 5, no. 3, 1979, pp. 229-238
Description
Delves into the life and literary work of Indigenous author Zitkala Sa by analyzing her struggle to find acceptance from both Indigenous people and mainstream audiences.