American Indian Quarterly, vol. 9, no. 1, Winter, 1985, pp. 5-21
Description
Describes Chippewa writer Gerald Vizenor's move from author to screenplay writer with his film Harold of Orange, which bears obvious imprints of his interests, attitudes and style.
European Journal of American Culture, vol. 31, no. 3, Native Americans in Europe in the Twentieth Century, October 18, 2012, pp. 219-230
Description
Focuses on the specific influences James Fenimore Cooper had on Polish writers. Uses writings by Henryk Sienkiewicz and adaptations of Leatherstocking Tales as examples.
Journal of Canadian Studies, vol. 46, no. 2, Special Issue: Finding Common Ground, Spring, 2012, pp. 263-297
Description
Article compares areas of ethnography, film review, oral history and the writing of J. Edward Chamberlin to analyze the film, The Journals of Knud Rasmussen by Igloolik Isuma.
Information, Communication & Society, vol. 15, no. 7, Working with Communities: Community Partnership Research in Information Technology, Management and S, 2012, pp. 1016-1036
Description
Looks at how each research partnership is unique with its own processes and solutions to issues.
American Indian Quarterly, vol. 9, no. 4, Autumn, 1985, pp. 411-420
Description
Reviews John Cleland's 1758 satirical play Tombo-Chiqui: or, The American Savage that reflected the noble ignorant savage stereotype prevalent in Europe during the eighteenth century.
European Journal of American Culture, vol. 31, no. 3, Native Americans In Europe in the Twentieth Century, October 18, 2012, pp. 187-203
Description
Looks at Buffalo Bills "Wild West" show which travelled across England, France, Spain, Italy, Germany, Austria, Hungary, Holland and Belgium between 1886 and 1906.