Finding Common Ground: Re-Examining the Theme of Renewal in James Welch's The Death of Jim Loney
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Contemporary Literary Criticism, vol. 249, 2008, pp. 342-343
Description
Argues that Jim Loney's life symbolizes a regeneration of Aboriginal American culture. This article was originally published as "Finding Common Ground: Re-Examining the Theme of Renewal in James Welch's The Death of Jim Loney" in South Dakota Review vol. 40, no. 4, (winter 2002) at pages 67-87.
For article enter title above (Finding Common Ground) in Gale's "Basic Search."
Oral History Review, vol. 37, no. 2, Summer/Fall, 2010, pp. 170-190
Description
Looks at written documents and oral recollections to uncover the experiences of Indigenous soldiers and their contributions in World War II, the Northern Territory, and Australian history.
NAIS: Journal of the Native American and Indigenous Studies Association, vol. 6, no. 1, 2019, pp. 157-164
Description
Author, Brooks, discusses new book, Our Beloved Kin, with interviewer, Cohen. Brooks's book offers an Indigenous Perspective on King Philip's War, its scope, and its impact.
Focuses on the methodological challenges and accomplishments associated with project entitled Visualizing Breast Cancer.
Chapter 13 in the book Doing Cross-Cultural Research: Ethical and Methodological Perspectives edited by Pranee Liamputtong.
Western American Literature, vol. 45, no. 3, Fall, 2010, pp. 228-251
Description
Looks at how role reversals and racial imitations in Joe the Painter and the Deer Island Massacre transforms the stereotypical trappings of Indian roles by redescribing and incorporating a sense of the past into the present.
American Indian Quarterly, vol. 32, no. 3, Summer, 2008, pp. 324-351
Description
Author believes televison shows dehumanize Native Americans and takes a critical look at how audiences' percieve representations, what frame of reference the audience uses to evaluate what they view, and argues that there is a need to view representations without accepting the status quo provided in encoded form.
AlterNative, vol. 15, no. 1, March 2019, pp. 75-81
Description
Illustrates the new character tropes being developed by Aboriginal Australian writers to challenge the stereotypical representation of Indigenous peoples in detective fiction.
American Literature, vol. 80, no. 4, December 2008, pp. 677-705
Description
Discusses how Life of Ma-Ka-Tai-Me-She-Kia-Kiak, or Black Hawk contextualizes the Battle of Bad Axe within previous conflicts between the U.S. government and Indigenous peoples of the Great Lake region over conceptions of landholding, diplomacy and trade.
GLQ: A Journal of Lesbian and Gay Studies, vol. 16, no. 1-2, 2010, pp. 69-92
Description
Looks at how Two-Spirit critiques, critiques that centralize Native peoples, nations, identities, land bases, and survival tactics, challenge and strengthen work in queer studies.
Canadian Journal of Native Education, vol. 31, no. 1, 2008, pp. 311-317
Description
Author shares a mnemoic pictograph, symbolic of a dream, with the audience at an American Educational Research Association (AERA) annual meeting held in Chicago in May 2007.
American Indian Quarterly, vol. 31, no. 4, Winter, 2008, pp. ix-xxxii
Description
Author discusses the way that the ethnographic approach to captivity narratives such as Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles and A Narrative of the Captivity of Mrs. Johnson promotes several assumptions about Indigenous culture and portrays them as foreign.
Social Science History, vol. 34, no. 2, Summer, 2010, pp. 113-128
Description
Examines the study of ethnographic cultures and Indigenous customs as it developed in the American Indian communities in the era of the Indian Claims Commission.