Canadian Journal of Native Education, vol. 29, no. 1, 2006, pp. 58-74
Description
Describes a program that records the narratives of youths who were bullied, the films were shown to non-Aboriginal youth in an effort to address racism and its effects.
American Indian Quarterly , vol. 29, no. 1/2, Winter-Spring, 2005, pp. 239-262
Description
Editorial article examines how the execution of the Choctaw man Silon Lewis is framed in the social narrative which surrounds it and how that framing allows Lewis to be seen as a “savage” or villain rather that a hero protecting his people and culture.
American Indian Quarterly, vol. 1, no. 1, Spring, 1974, pp. 1-26
Description
An examination of portrayals of Indigenous peoples in fictional writings and how they reflected the prejudices of the time and helped to perpetuate stereotypes.
American Indian Quarterly, vol. 31, no. 4, Winter, 2008, pp. ix-xxxii
Description
Author discusses the way that the ethnographic approach to captivity narratives such as Memoirs of Odd Adventures, Strange Deliverances, etc., in the Captivity of John Gyles and A Narrative of the Captivity of Mrs. Johnson promotes several assumptions about Indigenous culture and portrays them as foreign.
Canadian Journal of Women and the Law, vol. 12, no. 1, 2000, pp. 253-259
Description
Book reviews of two books:
Fireworks and Folly: How We Killed Minnie Sutherland by John Nihmey (pgs 253-256).
Stolen Life: The Journey of a Cree Woman by Rudy Wiebe and Yvonne Johnson (pgs 256-259).
Alif, no. 31, The Other Americas, 2011, pp. 133-151
Description
Discusses Jim Northrup's Rez Road Follies, Thomas King's The Truth About Stories, and Paul Chaat Smith's Everything You Know About Indians is Wrong in terms of the techniques used to critique government actions in their respective countries.
Cultural Anthropology, vol. 11, no. 4, November 1996, pp. 547-576
Description
Investigates the deconstruction of Native American identity, bloodlines, racism, and stereotypes by examining the works of Native American visual artists and authors.
Indigenous Illustration: Native American Artists and 19th Century US Print Culture
Articles » Scholarly, peer reviewed
Author/Creator
Phillip H. Round
American Literary History, vol. 19, no. 2, 2007, pp. 267-289
Description
Reviews several illustrated publications created by Indigenous North Americans in the 1800s and uncovers the unacknowledged talent not given credit where credit was due.
American Indian Quarterly, vol. 26, no. 2, Spring, 2002, pp. 246-270
Description
Author discusses the effects of Euro-American cultural content control in early Native American autobiographies to give the appearance that personal narratives and colonial policy were not in conflict.
Review of Education, Pedagogy, and Cultural Studies , vol. 33, no. 4, Racism, Colonialism, and Film in Canada, 2011, pp. 318-332
Description
A question and answer period on the 'Saskatoon freezing deaths' and the problem of police brutality and abuse of power with respect to Aboriginal people.
European Journal of American Culture, vol. 31, no. 3, Native Americans In Europe in the Twentieth Century, October 18, 2012, pp. 187-203
Description
Looks at Buffalo Bills "Wild West" show which travelled across England, France, Spain, Italy, Germany, Austria, Hungary, Holland and Belgium between 1886 and 1906.
Canadian Theatre Review, no. 108, Fall, 2001, pp. 48-51
Description
Reviews the large scale northern tour of an award winning First Nations play, fareWel by Ian Ross, which looks at issues such as identity, poverty, substance abuse, and racism.
American Indian Quarterly, vol. 21, no. 4, Cultural Property in American Indian Literatures: Representation and Interpretation, Fall, 1997, pp. 663-673
Description
Argues that while Indigenous authors are determined to express their unique perspectives while doing so in a hostile environment..