The American Indian Quarterly, vol. 34, no. 3, Summer, 2010, pp. 344-364
Description
Examines traditional Indigenous art-making practices, exploring a complex range of issues extending beyond those of gender into the realm of Indigenous cultural history.
Comments on Australian moral rights legislation and considers why they have been perceived as holding an integral place in providing adequate legal protection for Indigenous art in Australia.
Canadian Journal of Native Education, vol. 24, no. 1, Q epethet ye Mestiyexw, 2000, pp. 45-56
Description
Explores the concept of the nature of art as it relates to the experience of Indigenous peoples, specifically the residents of the Ashcroft First Nation (British Columbia).
Studies in American Indian Literatures, vol. 31, no. 1-2, Spring-Summer, 2019, pp. 1-30
Description
Author examines the #IndigenousReads campaign, considering it as a case study of reconciliatory gestures made by the Canadian Government; points out that reconciliation projects rely too heavily on the work of Indigenous writers and scholars, and fail to build cross-cultural relationships.
American Indian Quarterly, vol. 43, no. 1, Winter , 2019, pp. 36-73
Description
Cultural and artistic criticism piece; considers Alexie’s film as an adaptation and as a poetry film. Discusses artistic tools of referencing, trans media adaptation, and genre defiance; and considers the social and political statements made about identity formation, cross cultural relationships, and the centering of Indigenous narratives.
Studies in American Indian Literatures, vol. 22, no. 1, Spring, 2010, pp. 49-75
Description
Looks at the connection between images and stories in the documentary and exposes the politics associated with American Indian filmmaking.
Entire issue on one pdf. To access article, scroll to page 49.
The Beaver, vol. 90, no. 1, February/March 2010, p. 16
Description
Looks at the disappointment felt by the artist, Mildred Valley Thornton, when the Government of Canada refused to buy her collection of paintings in its entirety.
GLQ: A Journal of Lesbian and Gay Studies, vol. 16, no. 1-2, 2010, pp. 243-252
Description
Examines some of the issues related to "coming home" to ourselves, our land, and our people from a multiracial, visual-textual, Two-Spirit perspective.
Drama Review / T D R: The Journal of Performance Studies, vol. 44, no. 3, Fall, 2000, pp. 11-36
Description
Discusses the decolonization process, which the author states is accomplished by, "moving the center", in this case, from Europe to their own centers. The writer concludes that "underneath the new globalized skin" is the same Euro-defined ethnicity, carrying the same biases that are written into scripts.
NAIS: Journal of the Native American and Indigenous Studies Association, vol. 6, no. 1, 2019, pp. 77-110
Description
Discusses the intricacies and nuances of Lakota performances of popular culture. Challenges perspectives which dismiss Indigenous engagement in contemporary culture as mimicry or assimilation, and that portray contemporaneity as opposed to indigeneity.
Rebuttal to Hoover's critique of the article written by Gloria Frank regarding the permanent First Peoples Exhibit
at the Royal British Columbia Museum.
Response to an article which critiques the permanent First Peoples Exhibit at the Royal British Columbia Museum from a Aboriginal perspective; contends that while a personal viewpoint is legitimate, article does not have the research and knowledge to support some of criticisms.
Photographies, vol. 3, no. 2, Photography, Archive and Memory, 2010, pp. 173-187
Description
Explains the current role of the archive in terms of showing engagement between white settlers and Indigenous people and also to assist with the recovery of family and stories that have been lost through colonization in Australia.
American Indian Culture and Research Journal, vol. 24, no. 4, 2000, pp. 177-223
Description
Book reviews of:
An Account of the Antiquities of the Indians by Fray Ramon Pané, José Juan Arrom et al.
American Indians in the Marketplace: Persistence and Innovation among the Menominees and Metlakatlans, 1870-1920 by Brian C.
Theatre Research International, vol. 35, no. 3, 2010, pp. 302-303
Description
Book reviews of: Native American Drama: A Critical Perspective by Christy Stanlake and Native American Performance and Representation edited by S. E. Wilmer.