Canadian Journal of Native Education, vol. 29, no. 1, 2006, pp. 29-42
Description
Discusses the Traditional Pathways to Health (TPTH) project in which students choose a health topic of interest and produce a video to present to their community; emphasis is placed on a holistic approach to wellness.
Museum Anthropology , vol. 30, no. 2, September 2007, pp. 101-124
Description
Looks at the collaboration between various Warumungu groups, government agencies, and Aboriginal organizations to negotiate and produce the Nyinkka Nyunya Art and Culture Centre at Tennant Creek.
Canadian Theatre Review, vol. 164, 2015, pp. 36-43
Description
Interview with the writer, director and producer of the film at the closing performance at the Aboriginal Pavilion of the Vancouver 2010 Cultural Olympiad.
Studies in American Indian Literatures, vol. 31, no. 1-2, Spring-Summer, 2019, pp. 31-53
Description
Builds on Linda Tuhiwai Smith's short essay "Twenty-Five Indigenous Projects," and in acknowledgement of the essay and its 20th anniversary offers four more projects specific to Native American Humanities:
• Continuing
• Reknowing
• Sociologizing
• Valuing
Canada's History, vol. 97, no. 1, February/March 2017, p. 8
Description
Editor's introductory article to issue comments on the exploitation of Indigenous peoples in the late 1800s by photographers looking to capture, "cowboys and Indians".
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 246-264
Description
Article discusses Tsimshian artist Frederick Alexcee (1853–1939) work, the way it represented his community of Lax Kw'alaams (Fort/Port Simpson) in the 1800s and 1900s, and the implications of that narrative.
American Indian Quarterly, vol. 21, no. 4, Cultural Property in American Indian Literatures: Representation and Interpretation, Fall, 1997, pp. 605-620
Description
Argues that in the future culture will be a means of differentiating peoples, rather than race and that "authentic" cultural artifacts will become valuable commodities.
Author uses an interdisciplinary approach to explore the processes of cultural hybridization and resistance and their presence in film, music, and art. Discusses how these factors can combine to preserve and revitalize traditional knowledges and cultures in the contemporary globalized world.
Journal of Mennonite Studies, vol. 19, 2001, pp. 144-157
Description
Discusses the ideas of appropriation of voice and musical authenticity as they relate to two works, Stolen Life: the Journey of a Cree Woman (by Yvonne Johnson and Rudy Wiebe) and the Mennonite hymn book, Hymnal: A Worship Book.
American Indian Quarterly, vol. 9, no. 1, Winter, 1985, pp. 67-73
Description
Reviews the work and achievements of the Ojibwe author in poetry, prose and drama which examine the interrelationship between the "tribal and non-tribal worlds" through a satirical lens.
Book Review: Global Indigenous Media: Cultures, Poetics and Politics edited by Pamela Wilson and Michelle Stewart with articles by Lisa Brooten, Mario Murillo and Faye Ginsburg.
Sport, Education and Society, vol. 23, no. 2, 2018, pp. 135-138
Description
Contends that broad-based health interventions should not be universally implemented across diverse locales but rather need to account for the diverse, place-specific priorities and needs of the communities they are serving.
Aboriginal and Islander Health Worker Journal, vol. 17, no. 5, September/October 1993, pp. 22-23
Description
Streetwize conducted a series of visual art workshops with Aboriginal and Torres Strait Islander people to make posters on HIV/AIDS that would be meaningful to Aboriginal youth.
Western Historical Quarterly, vol. 35, no. 4, Winter, 2004, pp. 429-450
Description
Argues that Native Americans experimented with their identities and dramatized their resistance to white society and culture during the Haskell Institute homecoming of 1926.
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 265-299
Description
Article focuses on the artwork of people from the northwest coast; notes that historically, scholarship and collection practices have excluded some of the range of artistic production; advocates for more inclusive practices of scholarship, collection, and exhibition.
American Indian Quarterly, vol. 30, no. 3/4, Decolonizing Archaeology, Summer - Autumn, 2006, pp. 507-510
Description
Author, and guest editor of the section on Critical Engagements with the NMAI (National Museum of the American Indian) discusses the varied response to the museum since its opening two years prior, and introduces the article contained in this section.
Hakaru Maruumatu Kwitaka? Seeking Representational Jurisdiction in Comanchería Cinema
Articles » Scholarly, peer reviewed
Author/Creator
Dustin Tahmahkera
NAIS: Journal of the Native American and Indigenous Studies Association, vol. 5, no. 1, Spring, 2018, pp. 100-135
Description
Discusses representations of the Comanche people in both historic and contemporary films and other media; describes ways in which cinematic Comanche (actors and performers) worked to subvert mainstream narratives and portrayals of their people.