Studies in American Indian Literature, vol. 30, no. 3-4, Fall-Winter, 2018, pp. 121-150
Description
Discuss Waln’s use of hip hop as a venue to resist colonially imposed tropes of toxic/hyper masculinity and the indian, and to reestablish authentic Indigenous masculinities and collaboration with Indigenous feminists.
An examination and description of an activist's 2017 musical performance called ACHoRD in Victoria, British Columbia to bring attention to missing and murdered Indigenous women in Canada.