American Indian Quarterly, vol. 29, no. 3/4, Summer-Fall, 2005, pp. 450-465
Description
Commentary in regards to the opening of the National Museum of the American Indian (NMAI) on September 22, 2004, particularly the clichés, exclusion and stereotyping.
Velvet Light Trap, vol. 55, Spring, 2005, pp. 52-64
Description
Discusses how various influences on the development of broadcasting and cinema in this region have produced work that is both interesting and globally relevant.
Museum Anthropology, vol. 28, no. 2, Fall, 2005, pp. 17-30
Description
Attempts to address criticisms of the National Museum of the American Indian by giving an overview of its structure, exhibitions, and total museum experience.
American Indian Quarterly , vol. 29, no. 3/4, Special Issue: The National Museum of the American Indian, Summer - Autumn, 2005, pp. 466-477
Description
Author describes the short film created to introduce the audience to the National Museum of the American Indian (NMAI) and their role in the production of it.
Feminist Studies, vol. 31, no. 1, Spring, 2005, pp. 64-94
Description
Commentary on how the U.S. Bureau of Indian Affairs (BIA) employed photography to represent social problems and the government's solutions to those problems.
Native Studies Review, vol. 16, no. 2, 2005, pp. 39-76
Description
Prior to about 1912, American Indians had significant creative control over the production of silent films, providing an opportunity to express views which contrasted from the Euro-American depictions of them.
Canadian Art, vol. 22, no. 2, Summer, 2005, pp. 48-53
Description
Discussion of the debut performance-based video installation Fountain at Venice Biennale. Belmore was the first Aboriginal woman to represent Canada at this event.