Continuum, vol. 24, no. 1, Interrogating Trauma: Arts & Media Responses to Collective Suffering, 2010, pp. 65-77
Description
Discusses the way an archival history series, feature film and budget drama addresses politics of reconciliation and the media's obsession with violence in remote Australia.
Wicazo Sa Review, vol. 16, no. 2, Fall, 2001, pp. 97-114
Description
Analyzes the 1992 Tri-Star Pictures release which breaks new ground on two fronts, an all Native American cast except the lead role, and use of a contemporary setting. Screenplay by John Fusco, directed by Michael Apted and produced by Robert De Niro, Jane Rosenthal, and John Fusco.
Theatre Journal , vol. 55, no. 4, December 2003, pp. 679-698
Description
Discusses the concept of "racechange" using Susan Gubar's book RaceChanges: White Skin, Black Face in American Culture to assess the various functions of whiteface performance as a strategic mode of representation in theatre" and how theatre can contribute to debates about racialsim.
American Indian Quarterly, vol. 18, no. 4, Autumn, 1994, pp. 481-494
Description
Literary criticism article which examines Black Hawk: An Autobiography and argues that in addition to its value as a historical text, it should also be considered as an act of literary resistance against the narratives imposed on Indigenous peoples by mainstream society.
American Indian Culture and Research Journal, vol. 33, no. 3, 2009, pp. 111-165
Description
Book reviews of 20 books:
The American Indian Oral History Manual: Making Many Voices Heard by Charles E. Trimble, Barbara W. Sommer and Mary Kay Quinlan.
Collaborating at the Trowel's Edge: Teaching and Learning in Indigenous Archaeology edited by Stephen W. Silliman.
Doctor to the North: Thirty Years Treating Heart Disease Among the Inuit by John H.
American Indian Culture and Research Journal, vol. 32, no. 4, 2008, pp. 145-200
Description
Book reviews of 20 books:
Being and Place Among the Tlingit by Thomas F. Thornton.
The Cultivation of Resentment: Treaty Rights and the New Right by Jeffery R. Dudas.
Diabetes Among the Pima: Stories of Survival by Carolyn Smith-Morris.
Essential Song: Three Decades of Northern Cree Music by Lynn Whidden.
First Families: A Photographic History of California Indians by L. Frank and Kim Hogeland.
Households and Hegemony: Early Creek Prestige Goods, Symbolic Capital and Social Power by Cameron B.
American Indian Quarterly, vol. 43, no. 4, Fall, 2019, pp. 439-470
Description
Author examines several images contemporary to the 1904 World’s Fair, discusses the way in which Indigenous people were portrayed as "spectacle, commodity and spoil of American conquest;" articulates ways that some Indigenous Leaders both corroborated these portrayals and subverted them.
Review: Literature and Arts of the Americas, vol. 41, no. 1, May 2008, pp. 31-42
Description
Examines to what extent Native writers, critics, and researchers, as well as non-Native people who work in Native Studies, are led or constrained by beliefs about what is traditional, spiritually appropriate, politically effective and beneficial to Native communities.
American Studies International, vol. 40, no. 3, October 2002, pp. 46-56
Description
Comments on stereotypical images found in books, toys, games, etc. and the artists who are deconstructing these images by infusing their cultural diversity into their work.
Journal of Popular Film and Television, vol. 30, no. 4, Winter, 2003, pp. 181-[?]
Description
Western films from 1908 to 1916 depict popular attitudes toward interracial romance and government policies of the time in areas such as the military, land use, Indian assimilation and boarding schools.
American Indian Quarterly, vol. 16, no. 3, Summer, 1992, pp. 361-372
Description
Author explores the tropes of exoticism contained in Fergusson’s novel Dancing Gods, situates Fergusson’s writing within the genre, and relates it to similar works by other writers within the genre.
AlterNative, vol. 15, no. 1, March 2019, pp. 75-81
Description
Illustrates the new character tropes being developed by Aboriginal Australian writers to challenge the stereotypical representation of Indigenous peoples in detective fiction.
American Indian Quarterly, vol. 29, no. 3/4, Summer-Fall, 2005, pp. 450-465
Description
Commentary in regards to the opening of the National Museum of the American Indian (NMAI) on September 22, 2004, particularly the clichés, exclusion and stereotyping.
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 125-140
Description
Introduction to and commentary on the special issue which features extracts from a conference with the same name and articles which focus on the ways that Indigenous peoples represent European people(s), and vice versa, in art.
Canada's History, vol. 97, no. 1, February/March 2017, p. 8
Description
Editor's introductory article to issue comments on the exploitation of Indigenous peoples in the late 1800s by photographers looking to capture, "cowboys and Indians".
ab-Original, vol. 2, no. 2, The Entangled Gaze, 2018, pp. 246-264
Description
Article discusses Tsimshian artist Frederick Alexcee (1853–1939) work, the way it represented his community of Lax Kw'alaams (Fort/Port Simpson) in the 1800s and 1900s, and the implications of that narrative.
From the Bronx to the Wilderness: Inari-Sami Rap, Language Revitalization and Contested Ethnic Stereotypes
Articles » Scholarly, peer reviewed
Author/Creator
Juha Ridanpää
Annika Pasanen
Studies in Ethnicity & Nationalism, vol. 9, no. 2, September 2009, pp. 213-230
Description
Article focuses on Amoc, the first ever Inari Sami language rap musician and how he employs his music as an emancipatory tool for language preservation.