Canadian Journal of Native Education, vol. 29, no. 1, 2006, pp. 58-74
Description
Describes a program that records the narratives of youths who were bullied, the films were shown to non-Aboriginal youth in an effort to address racism and its effects.
American Indian Quarterly, vol. 30, no. 3/4, Decolonizing Archaeology, Summer - Autumn, 2006, pp. 507-510
Description
Author, and guest editor of the section on Critical Engagements with the NMAI (National Museum of the American Indian) discusses the varied response to the museum since its opening two years prior, and introduces the article contained in this section.
Visual Studies, vol. 21, no. 1, April 2006, pp. [4]-22
Description
Discusses such issues as the neutrality of the archive given its mandate "to promote a sense of national unity", its representations of Aboriginal people, and current movement to repatriate images.
Discusses the landmark exhibition Norval Morrisseau: Shaman Artist, the first by a First Nations artist in the history of the National Gallery of Canada.
Theatre Journal, vol. 58, no. 2, May 2006, pp. 345-348
Description
Review of Trinity Repertory Company and Penumbra Theatre Company's mounting of the play Grandchildren of the Buffalo Soldiers by William S. Yellow Robe, Jr.
Describes the 8 week Arctic tour of Invitation: the Quilt of Belonging, which involved the transport of a16 person team and the120 feet long, 10 feet high quilt with 263 blocks, one for each nation of the world.
American Indian Culture and Research Journal, vol. 30, no. 3, 2006, pp. 129-178
Description
Book reviews of:
Algonquian Spirit: Contemporary Translations of the Algonquian Literatures of North America edited by Brian Swann.
Building on a Borrowed Past: Place and Identity in Pipestone, Minnesota by Sally J. Southwick.
The Cambridge Companion to Native American Literature edited by Joy Porter and Kenneth M.
Examines early Native American cinematic representation in photography and film and discusses how Native filmmakers are reclaiming their stories and retelling them in their own voices.
American Indian Quarterly, vol. 30, no. 3/4, Summer/Fall, 2006, pp. 619-631
Description
Asserts that the National Museum of the American Indian fails to provide enough context for Aboriginal history and does not challenge colonized perceptions.
Looks at the history and contemporary life of the Abenaki and the importance of basket making to their way of life.
Duration: 1:44:05.
Accompanying material.
American Indian Quarterly, vol. 30, no. 3/4, Summer/Fall, 2006, pp. 574-596
Description
Describes four viewpoints about the National Museum of the Native American (NMAI) garnered through two personal visits and the others through newspaper articles and discussions.
American Indian Quarterly, vol. 30, no. 3/4, Decolonizing Archaeology, Summer/Fall, 2006, pp. 543-557
Description
Comments on the relationship between the site of the National Museum of the American Indian and cultural products on display, arguing that the Museum itself is an object of display.