Wicazo Sa Review, vol. 16, no. 2, Fall, 2001, pp. 97-114
Description
Analyzes the 1992 Tri-Star Pictures release which breaks new ground on two fronts, an all Native American cast except the lead role, and use of a contemporary setting. Screenplay by John Fusco, directed by Michael Apted and produced by Robert De Niro, Jane Rosenthal, and John Fusco.
American Indian Culture and Research Journal, vol. 33, no. 1, 2009, pp. 143-192
Description
Book reviews of 20 books:
American Indians and State Law: Sovereignty, Race, and Citizenship, 1790-1880 by Deborah A. Rosen.
Architectural Variability in the Southeast edited by Cameron H. Lacquement.
Art from Fort Marion: The Silberman Collection by Joyce M.
Canadian Journal of Native Studies, vol. 38, no. 1, 2018, pp. 183-207
Description
This project examines a collection of digital stories created by urban Indigenous youth, parents and educators; using theories of self-determination, sovereignty and survivance article argues that urban living can contribute to the strength and endurance of Indigenous identities and ways of being.
British Journal of Canadian Studies, vol. 26, no. 1, 2013, p. 154
Description
Book review of: Hidden in Plain Sight: Contributions of Aboriginal Peoples to Canadian Identity and Culture edited by Cora J. Voyageur, David R. Newhouse and Dan Beavon.
Canadian Theatre Review, vol. 151, Summer, 2012, pp. 55-59
Description
Discusses actors' perspectives on the play The Rez Sisters. The performance at the University of the Fraser Valley reunited the cast from a production staged in 2000.
Alif, no. 31, The Other Americas, 2011, pp. 133-151
Description
Discusses Jim Northrup's Rez Road Follies, Thomas King's The Truth About Stories, and Paul Chaat Smith's Everything You Know About Indians is Wrong in terms of the techniques used to critique government actions in their respective countries.
American Indian Quarterly, vol. 22, no. 3, Summer, 1998, pp. 259-279
Description
Literary criticism article in which the author examines the ways that Hopkins uses liminality and liminal identity as a means of social critique and of subversion, as well as an intersection of creativity.
Canadian Theatre Review, vol. 74, Spring, 1993, pp. 35-[?]
Description
Discusses the theatre and how rehearsal can aid in the development of an identity through of role playing and acting, and recognizing identity as a dynamic concept.
Journal of Canadian Studies, vol. 46, no. 2, Special Issue: Finding Common Ground, Spring, 2012, pp. 83-98
Description
Essay combines, If This Is Your Land, Where Are Your Stories?: Finding Common Ground by J. Edwards Chamberlin and Galore by Michael Crummey to consider the kinship Newfoundlanders have with their province.
Montana: The Magazine of Western History, vol. 58, no. 3, Autumn, 2008, pp. 3-22, 92-94
Description
Examines how Native communities maintained their social and cultural identities amidst the attempt of middle class whites to preserve their own version of Indian culture.
AlterNative, vol. 14, no. 2, June 2018, pp. 113-120
Description
Discusses the active role of Maize within Wixáritari ceremony from cultivation to harvesting, emphasizing the role of women in preparing Corn-based substances for ceremonial offerings. Through storytelling and performative practices women are active in transmitting the relationships between corn and community.
American Indian Quarterly, vol. 43, no. 1, Winter , 2019, pp. 36-73
Description
Cultural and artistic criticism piece; considers Alexie’s film as an adaptation and as a poetry film. Discusses artistic tools of referencing, trans media adaptation, and genre defiance; and considers the social and political statements made about identity formation, cross cultural relationships, and the centering of Indigenous narratives.
Ethnohistory, vol. 48, no. 1/2, Winter/Spring, 2001, pp. 337-350
Description
Review essay of:
Weaving Ourselves into the Land: Charles Godfrey Leland, "Indians" and the Study of Native American Religions by Thomas C. Parkhill.
Edward S. Curtis and the North American Indian, Incorporated by Mike Gidley.
Imagining Indians in the Southwest: Persistent Visions of a Primitive Past by Leah Dilworth.
Wild West Shows and the Images of American Indians, 1883-1933. by L. G. Moses.
American Indian Culture and Research Journal, vol. 23, no. 2, 1999, pp. 149-207
Description
Book reviews of:
American Indian Activism: Alcatraz to the Longest Walk edited by Troy Johnson, Joane Nagel, and Duane Champagne.
As We Are Now: Mixblood Essays on Race and Identity edited by William S. Penn.
Cahokia: Domination and Ideology in the Mississippian World edited by Timothy R. Pauketat and Thomas E.
American Indian Culture and Research Journal, vol. 31, no. 1, 2007, pp. 139-193
Description
Book reviews of:
American Indian Constitutional Reform and the Rebuilding of Native Nations edited by Eric D. Lemont.
American Indian Rhetorics of Survivance: Word Medicine, Word Magic edited by Ernest Stromberg.
Bernie Whitebear: An Urban Indian’s Quest for Justice by Lawney L. Reyes.
Black Silk Handkerchief: A Hom-Astubby Mystery by D. L. Birchfield.
The Collected Speeches of Sagoyewatha, or Red Jacket edited by Granville Ganter.
Elias Cornelius Boudinot: A Life on the Cherokee Border by James W.
American Indian Culture and Research Journal, vol. 12, no. 4, 1988, pp. 65-104
Description
Book reviews of:
Through Dakota Eyes: Narrative Accounts of the Minnesota Indian War of 1862 edited by Gary Clayton Anderson, Alan R. Woolworth.
Abstracts of Native Studies, Volume 1. Abstracts of Native Studies, Volume 2 edited by R. C. Annis.
Fools Crow by James Welch.
The Seminole by Merwyn S. Garbarino.
The Legacy of Conquest: The Unbroken Past of the American West by Patricia Nelson Limerick.
Southeastern Pomo Ceremonials: The Kuksu Cult and Its Successors by Abraham M.